Ascension IV: Opening the Gates

Number 4 in the Ascension Series 
This mage has been a long time coming. It has truly taught me what it means to trust divine timing in the creative and personal aspects of my life. Nothing can happen before it is time and despite our own desires to strive and force things into being, to “make it happen,” the reality is that some things in life require longer periods of incubation. No matter how much time we spend wishing things were different or pushing for change, nothing happens until Spirit has appointed its time.

I had initially been introduced to the concept of Auric Gates back in 2018 but did not begin to research them in earnest until I was guided to produce this peace. I had begun sketching images on several occasions but never felt like I had a truly solid understanding of them – so I kept postponing any creative activity until I could gather more data, and continue to do more experiential work with my own gates as part of meditation practices with energy and the chakras. Almost every image I create is grounded not only in research but in my own concrete experiences of the concept, phenomena, energies…that I have been guided to depict.

In this case, I needed the depth that was gained from creating the chakra series and the spiritual growth that resulted from my work with the 7 main chakras for the series. This process is what prepared me with a solid knowledge base and spiritual expansion necessary for me to begin attempting to work with and understand the 5 Gates depicted in this image. The seed had already been planted in 20i8, but it needed more incubation time in the deep rich souls of my Spirit and psyche before it would be ready to sprout.

Ascension IV: Opening the Gates

Although the image above depicts seven symbols only five of them are gates. I bracketed the gates above and below in order to create both visual depth and visual didactics. At a basic level, the gates can be seen as additional chakras, but they differ greatly in power and function. The initial clue lies in the name (Gate). A gate is erected to keep certain things in and other things out. A gate can be locked or unlocked only by those who have the correct key. The five auric gates are centers of divine energy that have been locked within the auric field in order to bind the entire aura together.

The main reason we have an aura is due to the frailty of matter. Without the gates, we would be unable to sustain our physical bodies because the divine energies which animate our flesh could not remain in physical form. Our physical bodies are incapable of holding such high-frequency energies within them, so they are placed within a field that both surrounds and interpenetrates the body. The gates help lock these energies in place and prevent too much additional energy from entering so that we literally do not blow the bio-reactive aspect of our body out – like you would an electrical circuit. We can receive more energies, but we need to do so in a progressive and controlled manner so that our bodies can make the changes needed at the intracellular level to accommodate and safely hold higher frequencies.

Symbolism

Each gate has a particular meaning and purpose which I have symbolized within the illustration. Although some of the symbols depicted appear to be power symbols you may have seen before, if you look closely you will see that mine are similar but not exact copies. I appropriated aspects of those symbols in order to represent these energy fields but my research did not associate any symbol(s) with the gates. It would appear that those who can see them only speak about bans of color with the most extreme depth of colors in the location above the head which is associated with that particular gate. I have developed these symbols for visual effect as representations of these energies. However, the colors associated with each of the symbols are accurate representations based upon my research.

The easiest way to proceed will be to work from the familiar to the unfamiliar. Therefore, I will begin my discussion from the bottom up – starting with the figure and then moving upward through each successive symbol. The figure in the image is engaged in a deep state of prayer or meditation. I chose not to depict the entire body in order to save space and let the viewer decide if the figure is standing, seated, or kneeling. In order to create more visual interest I opted for a bird’s eye view of the figure that provides a sense of deeper intimacy with the figure as we witness this sacred act. He is surrounded by a field of white light that travels down (or up) from the central monad symbolized at the top of the canvas. This light can be seen as both auric energy and sacred anointing. The hands are placed in the devotion mudra or prayer position at the heart, with the head tilted forward in deep blessing and contrition.

The first symbol we encounter is the actual symbol and color associated with the crown chakra. The purple color surrounding the figure is used ot depict the crown chakra which floats about one inch above the top of the head. The 1st Gate (8th chakra) is associated with the color fern green and is referred to as the Soul Star or Halo Chakra. Its purpose is to produce the ethereal body and its energies create the halo effect around the head seen in most ancient depictions of Saints and Ascended Masters. The 2nd Gate (9th chakra) is associated with the color turquoise and is referred to as the Spirit Star. When opened, this gate allows us to commune with Angels and other beings of light. The 3rd Gate (10th chakra) is associated with the color pearl white and is referred to as the Universal Chakra. This chakra merges the masculine and feminine (yin/yang, hot and cool…) energies of our bodies and is responsible for the universal aspects of our being. The 4th Gate (11th chakra) is often seen as a violet-sliver or pink-orange in color. I played around with several color roughs and decided that silver was the best color for this gate, it fits well in the overall color composition and sat well with my intuition. This gate is referred to as the Galactic Chakra. When opened, it allows us to teleport, bi-locate, and utilize other supra-sensory powers. The 5th Gate (12th chakra) is associated with the color gold or a golden multi-colored energy. This gate is referred to as the Divine or Stellar Gateway. When opened, this gate allows us to experience total oneness with the divine and complete union with divine energy.

The final symbol is my own addition. I call it the Universal or Divine Monad. This image encapsulates my understanding of the divine as one, the supreme universal consciousness from which the one emanates out to become the many. I placed the symbol within a field of purple to round out the color composition and it’s association with deep spiritual energies. Each symbol is surrounded by the white pearl color which flows down from the Universal monad infusing each chakra, surrounding the figure, unifying all aspects of the auric field, and simultaneously unifying the entire composition.

 

 

Ascension III: Auric Rising

Number 3 in the Ascension Series

I have placed Auric Rising in the Ascension series but it could just as easily have been categorized as the final summarising image within the Chakra series. The inspiration for this image is both didactic and personal. After my initial recovery from my bout with Covid, I was still struggling with ongoing symptoms and challenges related to Long Covid. My body’s energy levels were sorely depleted and I had no reserves. My mitochondria had become so damaged and depleted that I was literally unable to concentrate for any length of time on daily tasks – let alone find the clarity or energy needed to create.

As many of you know I have maintained a consistent mediation practice for years and my illness had not kept me from at least attempting to continue with my daily practice. In order to combat some of my fatigue and work on building up my energy reserves, I began doing a great deal of focused energy work in hopes of helping my body recover by infusing it with sacred higher vibrational energies. I was also guided toward a meditation technique called the “Warrior’s Meditation” which helps one to develop a greater sensitivity to the body’s total energy field. The exercises which comprise this technique combined with my own rededication to Tai Chi Chuan and chakra meditations helped me to begin re-energizing my body from the inside out. From within the body and outward, I also became much more disciplined with clean eating, a consistent sleep schedule, and daily naps.

The Warrior’s Meditation really helped me develop a much stronger, and more nuanced sense of my own auric field. We (and I) often speak about the chakras as individual vortices but not as an aggregate. Many will speak about the body-mind connection, or the heart and its powerful electromagnetic field that extends outward surrounding the body, but we often ignore or neglect the much higher vibrational energies produced by the interconnected chakras which combine to form the auric field. Both of these systems comprise what we most generally refer to as the body’s energetic field. Most of us can easily get a sense of our electromagnetic field but the auric field requires the development of a much more subtle sense of energy because the vibrations are so much higher.

The more I continued with these practices the easier it became to sense my own auric field and raise my vibration in the process. As the weeks went by and I began to gain more energy reserves the urge to create again grew as well. With this desire came an urge to depict what these energies felt like and how they symbolically connected to the chakras as part of an overarching energetic system. Auric Rising is the result of this outpouring.

Ascension III: Auric Rising 18W x 24H

Symbolism

 The rings around the figure correspond to the seven major chakras we often refer to. Even though the Chakras are counted from the bottom up, I chose to reverse the color order for artistic effect. Most images of the chakra system depict the rings horizontally as they correspond to their locations upon the body. However, I wanted to depict more energetic movement and a more natural, flowing, biomorphic relationship with the human body from which these energies flow. When I was completing color sketches for the image, it became immediately apparent that the deep red of the root chakra surrounding the figure was too overpowering to be placed next to a skin tone successfully – so I placed the cooler blues and purples of the sixth and seventh chakras next to the seated figure in order to provide a cooler contrast against the warmer tones found within the figure itself. I also placed the Merkaba beneath the figure as a grounding device representing another chakra we have that connects us to the earth and binds the bottom portion of the auric field. The figure is seated in the half lotus position with his hands in the prayer position (devotion mudra) as the thumbs touch the third eye point of the forehead. The large monad at the top is my own symbol I developed for God-consciousness, while the other two flame-like symbols are my own symbols for the soul or spirit (both symbols can be found in earlier pieces). The white field around the auric field is what most of us see when we initially begin the practice of auric sight. As our vision expands to accommodate higher vibrational frequencies our vision becomes refracted and we are able to view the individual colors in the chakra spectrum. The oblong shape (aureole) of the auric field is attributed to those who reach enlightenment and become Ascended Masters. Hence the figure appears to be floating or ascending upwards into the higher dimensions of spiritual awareness. The black field at the edges of the canvas symbolizes the still point of creation, the universe which births light out of its own darkness.
 

*To purchase prints click here

Chakrasana: Full Wheel

Full Wheel: Chakrasana

This acrylic piece is the last of my acrylic works in the “Asana Series”. I began the painting at a live painting session about 6 months ago at Black to Yoga. You may remember the small 16 x 20 watercolors I have already completed of Quamay from my March newsletter (depicted at bottom). 

I was able to get all of the basic tones into the background and the figure during the live painting session but was having some real problems figuring out how to accurately render the figure. The watercolor piece of this pose was completed from a side view. This worms-eye frontal view is much more dynamic. The body’s angles and lighting are dramatic and undulating, thus making the contours of the yogi’s figure more difficult to render accurately. Sorting through these technical difficulties kept me from completing the painting during the live session. With so many people watching it is sometimes difficult to find the confidence and sense of safety needed to forge ahead knowing that your efforts may lead to failure.

So, I brought the piece back to my studio, put it back up on the easel, and just kept periodically staring at it for two more months. It might not make sense to you, but any artist understands this behavior completely. Trust me, it’s one of the creepy, weirdo things we artists sometimes do! By then it was time for me to move to my new home with it’s own studio space so I just brought the incomplete painting along for the move. Once I set my studio up in the new place I placed the painting back on the easel and began the same staring match all over again! 

Then I got sick with COVID and spent several weeks just trying to live let alone painting. By the time I felt well enough to try and paint I was so far behind on the whole series (which is actually just the watercolors) I thought it best to complete it before going back to staring at this one again. Once the series was complete (last month) I was determined to finish this one. I am bit OCD about my work and have trouble accepting creatively loose ends – so it had to be completed.  

Chakrasana is a heart-opening pose so I placed the symbol for the heart chakra above the figure and repeated it in the headband for greater emphasis. Since the asana symbolizes a wheel, I purposely left the back edge of the mat open to give the pictorial plane a sense of infinity, or movement out beyond the figure’s feet. The majority of the colors used in this image’s palette (greens, blues, browns), are indicative of the earth and one’s connection to it through the asana.   
 

*To purchase prints click here

Full Wheel Watercolor Image from March 2020

Resilience

Resilience: Profiles in Resilience Series AIDS2020

It’s been a long time since I had the opportunity to create a piece just because. In late April of this year, I was asked to participate in the International AIDS Society’s Conference – AIDS2020 by creating a piece for their “Profiles in Resilience”  series that would have been on display at the conference. The conference is held at different locales around the world and was to be hosted in Oakland, California this Jully. However, due to the arrival of Coivd-19 on the world scene, the conference will now be hosted virtually. My piece will now be included in a virtual gallery. 

For those of you who may not know, I have spent the last 11 years working in the HIV/AIDS arena and have had the privilege of attending a few of the conferences (nationally and internationally) and am thankful for the opportunity.

The concept for the series was novel and exciting. Each artist was provided with a brief Bio and quote from a local HIV/AIDS activist and asked to conceptualize an image based upon the information provided. The particular activist I was paired with I also know personally which made the project even more exciting for me. The universe definitely knows how to navigate with serendipity and humor! 

My conception for the project was based upon an image I have created previously, but with some additional changes and twists. I really enjoyed having the opportunity and the time to contribute to such a worthwhile cause. I enjoyed working with the IAS creative team and am honored to have been selected for inclusion.  

The quote for the piece read, “Don’t grow weary in well doing. In due season we will reap if we don’t give up. We will find a cure for HIV and the world will be better for it.”

I wanted to depict the hope and faith I have encountered among many those whom I know and love that have been living with this virus on a daily basis. Their resilience, optimism, and determination have inspired me to be a better person and work harder to provide the needed services and support that helps them to survive and thrive-  while we wait and work toward a cure. They are my friends and I am grateful to have been accepted into their community!

The ribbon is the symbolic AIDS ribbon that has been a longstanding symbol of the movement. The sun above the figure is indicative of hope in the dawning of a new day without HIV/AIDS. The flowers and tall grasses beneath the figure symbolize the growth and flourishing of this community despite, stigma, and discrimination. The figure stands with his arms outstretched, and head tilted up toward the sun as the breath of life blows over and through him.  

Moga Yoga

All three of these images are the newest additions to my ongoing series on yoga, the “Asana Series”. Asana is Sanskrit for “pose” or “posture”. The model for these images was the yogini Maureen Mlller. Check her out on Instagram @mogayoga

Full Lotus – Padamasana
from the “Asana Series”

You may recall that I created a similar image of this pose in acrylic paints about four months ago. Although watercolor is a very different medium with its own character, I still wanted to create interest between the two depictions. In order to do so, I used a more dynamic point of perspective, a slightly different color palette, and simplified the background.   

Half Moon
Ardha Chandrasana
from the “Asana Series”

I find Half-Moon to be a very interesting and dynamic pose. I wanted to find a perspective point that would stress that dynamism while still giving one a good view of Maureen’s entire figure. The symbolic shape used in this image is a combination between a fractal pattern and a more biometric amoeba-like shape. 

Goddess Pose  
Utkata Konasana
from the “Asana Series” 

In this image, I wanted to give a sense of Maureen’s nobility and power. She truly embodies the energy and wisdom of the Goddes and I really wanted to imbue the image with similar quaities.  

OTHER NEWS
As some of you may have heard via social media, I am in the process of recovering from Covid-19. I am still not sure how I contracted the virus and don’t know of anyone else in my networks of association who has contracted it. 
As of this post, I am in my tenth week of recovery and am still not completely well. It has been a long and frightful journey. I was blessed to not be ill enough to need hospitalization, but there were times when I was convinced that I might die alone in my new home. Thanks be to God that I am alive and on the mend!! At present, I am undergoing testing to ascertain if there has been any permanent damage to my brain or other internal organs. Please keep my recovery in your prayers.

Please take this virus seriously and do all you can to keep yourself and your loved ones safe and healthy!

   

Garland Pose

Garland Pose – Malasana
from the “Asana Series” 

Garland pose is another addition to my ongoing series on yoga. The model for this image was the yogi Rondy of Rondyoga.com

The colors I chose for this image are based upon the asana’s connection to the lower chakras: the root chakra (red), the sacral chakra (orange), and the solar plexus chakra (yellow). Garland is a rooting pose which more deeply connects one to mother earth and her life-giving energies. 

The unalome to the right of the figure is a Buddhist symbol which symbolizes the journey to enlightenment as symbolized in the geometric shape at the top of the symbol.

For those of you who don’t know, I began the series in July of last year in conjunction with the yogini’s and yogi who teach at the Black to Yoga here in Oakland. 


Other News

My new website launches next month!
I will have a new website platform that will be launching in the first week of February. There will be a completely new look and a variety of enhanced features that will make it easier to navigate the site and to place orders.  

My new site will allow you to order paper and giclee prints, metal prints..choose your own frames, and have the whole order shipped and ready to hang!

*All of these features will necessitate a raise in my prices so if you want something at the lower price point place your order before February 1st!!

Upcoming Shows

Art of the African Diaspora Show
This show has a main location and several satellite Open Studios so you will be able to see my work at several venues 

Main Show: Richmond Art Center
2540 Barrett Ave, Richmond, CA 94804

Opening Saturday, January 25, 2020
-Awardees Discussion 12:30 – 2
-Opening Reception 2 – 5

Open Studios: Oakstop 17
1721 Broadway #201, Oakland, CA 94612
March 6 & 7, 2020
-First Friday, March 6th  5pm – 10pm
-Open Viewing Saturday, March 7th  11 – 5
-Artist Talks: Saturday, March 14, 2020  2 – 4*
*doors open at 11 and close at 5


Unbound Roots: SOMArts
This show runs March 9 – April 19, 2020


Be on the lookout for more Updates!

Forearm Stand

Forearm Stand: Pincha Mayurasana

This acrylic piece is the last of my works depicting the yogini Zen. I began the painting at a live painting session last month with the hosts of Black to Yoga. I had already completed the smaller watercolors depicted in my last newsletter and had them on display at the event. 

I was able to get all of the basic tones into the background and the figure during the live painting session. The work flowed and I felt a sense of ease with the energy of the day which always makes everything easier. As an artist, these are the moments we live for.

It took another week and a half before I could complete the entire painting, and another week to get it properly scanned and ready for presentation. 

The swirling shape to the right of the figure is called a unalome. Unalomes represent the spiritual path toward enlightenment in the Buddhist tradition. The spiraling shapes symbolize the inevitable twists and turns of life – while the straight lines remind us of the harmony one experiences during moments of enlightenment. 

**To purchase prints click here

The ‘Asana” Series: Zen Yoga Triple

Fear is a funny thing. It can manifest itself in so many ways that we often mistake it for something completely different. Oftentimes, it uses other emotions or activities as a veneer in order to mask its true identity. Anger, procrastination, OCD, controlling behaviors, rigidity, constant pleasure-seeking…have all been veneers for various fears I was holding onto but afraid to face. 

In this case, it was my seeming inability to sit down and begin the preparation work for these images. Initially, I had written it off as being too busy with other things. When that excuse was no longer working I then went into various machinations involving my using the time to gather more ideas and usher in a creative flow. One day I was sorting through some acrylic paints inventorying what I needed to replace and I accidentally picked up one of my watercolor vials and a rush of anxiety hit me like a ton of bricks. Beneath it was the palpable sensation of fear.  

The fear was a wake=up call and a reminder. It let me know exactly “why” I hadn’t been working the sketches for this series because I was afraid to get started because I was afraid to fail. I was afraid to dive in because I haven’t used watercolors in over a year and I wasn’t sure if I could get back into the medium and produce anything value. As any artist will tell you, watercolor is an extremely difficult medium and most painters try their best to stay away from it. Although watercolor has been my preferred medium since college, it does take time and failures to really master and I had been focusing on developing my acrylic skills while trying to complete my “Chakra” series.  

This sudden realization and the subsequent acknowledgment of my fear broke its power over me and allowed me to not only admit it, but more importantly to face-it and thereby release its energy from being. This was release was the catalyst for my steps to begin delving into the bread and butter of this new series. These 3 initial images are not as polished as some of my previous endeavors but they are powerful representatives of a return to watercolor. Stay tuned for my three in this series as you be privy to the transformations that will occur as the series progresses.

These three images feature the lovely and extremely athletic yogini Zen Forbes of “In with Zen” Yoga. 

Pincha Mayurasna – Forearm Stand

Salamba Shirshasana – Head Stand

Virabhadrasana II – Warrior II

**To purchase prints click here

My new series has begun!

My new “Asana” series has officially begun!

The image depicted above is the first piece to be completed in my new Asana series. The last time I reached out, I spoke about my intention to begin collaborating with the Yoginis who have formed the entity Black to Yoga – Maureen Miller, Kirsten Rogers, and Zenovia Forbes. 

This initial reaching out led to the completion of three sessions of photos shoots. I shot loads of reference photos for the coming series and completed some sketches for layouts. The images are HOT, and I have been so inspired that I could hardly wait to begin painting! 

The inspiration for the series hit me about 10 years ago. I had only recently been introduced to yoga by a former partner and I was amazed at how much my limited knowledge and intermittent practice had already begun to have a profound effect on me. At my partner’s suggestion, I borrowed her copy of “Light on Yoga” by B.K.S. Iyengar and then began sketching images of various poses I found in some photographic journals on yoga. Some weeks later, in the midst of a sketch it suddenly struck me, “Why aren’t you producing your own images and interpretations of these poses?” and from that moment on,  the fire began to burn. 

As any creative will testify, inspiration is more often than not- a fickle, fleeting, elusive thing. Just like a cat, it rarely comes just because you call it. The lightning of inspiration does strike but you never really know where or when. Hence the reason most of us rush to strike while the iron is hot. But this fire has been burning for almost 10 years!

Every time I wanted to begin working on the images, circumstances always appeared to block my way. I often spoke about it to yoga students and instructors who entered my studio – and some even offered to model for me. But for some reason, the timing and the offers just didn’t feel right. Something in my spirit would not find ease with those opportunities. but I still kept feeling inspired to work on the series. 

However, there is something to be said for waiting.  The deep inner knowing within us always makes its desires known at the perfect time if we are willing to patiently wait, watch, and listen. I now understand the reason(s) for the delay. My heart was in the right place, my intentions were noble and sound, but I lacked the knowledge, sufficient development in my own yoga practice, and internal maturity needed to pursue this project in a manner that would do it justice. Some things can only be learned and developed through trial and experience and I was simply not yet ready. We often don’t know what we don’t yet know.  Thanks be to Spirit for growth, maturity, and waiting!   

This is the first image in the acrylic images of the Asana series (there will be a much larger watercolor series as well). It is a 30 x 30 – inch acrylic image that was begun live during my first attempt at live painting! The image was initiated at “Yoga After Dark” a monthly event conducted by Black to Yoga. I will be the resident “live painter” at these events for the next 3-4 months so come check me out sometime soon. 

The initiated live painting with model Kirsten Rogers

The completed live painting with model Kirsten Rogers

Coda: There is Only Love

FINAL CHAPTER EXCERPT   
The publishing process for my book is moving along much faster than anticipated. The editing phase is almost complete. The final phase, publication should be well underway by mid-January. Look out for opportunities to place your order very soon. Below are a few selected excerpts from the concluding chapter, Coda: There is Only Love.

When We Pray VIII: There is only Love

 

When I began to download the initial inspiration for “When We Pray,” I had no idea that a series would follow. The initial inspiration came forth just as many others have during my daily practice of prayer and meditation.  I was sitting quietly, peacefully, feeling the warm and then cool pattern of my breath when I became of aware of a very distinct sense of presence all around me. It was not a sudden awareness but a slow, steady, building which seemed to reveal itself progressively as it became increasingly more distinct all around me. I’m not sure how long the process took, but it was a slow and deliberate revelation that became increasingly more palpable. I felt no fear, only an evermore confident sense of comfort, ease, and genuine care and concern for the issues I was offering up for divine assistance. I somehow instinctively knew that my inner voice was heard, that spirit was listening and was also compassionately concerned. As I poured forth my concerns, there was a gentle but firm sense of being held, or of being wrapped by divine hands and arms. That I was being stroked and soothed as a mother would her slumbering child. At the same time, I felt as if I was also shielded and supported. Then it suddenly dawned upon me that I was in God’s hands and that this was the place I had occupied every time I prayed, but I had only now become aware of it. This realization of being in enveloped within the hands of the divine resulted in the initial image of the series…

…As we are lifted-up by love we also lift and are lifted by others. This active web of relations lies at the heart of love and forces us to confront humanity’s dominant conceptualization of love. We conceptualize love as a noun, but love is and ever shall be a verb. Because love, like creativity, requires manifestation. Love must be made visible, or it is not authentic love. All our conceptualizing and imaginings about love are simply much ado about nothing unless they become expressed in the form of concrete actions expressed in daily life. These expressions undergird our need to “make” love, “fall in” love, “give” love, “welcome” love and actively experience it in all the myriad ways it can be given and received…

…From a metaphysical perspective love never ends. But it is often born, dies, and is resurrected within the context of our material human experience. If we would simply take the time to look within, listen to our souls, and set free the love already within us, we would surprisingly find more of it everywhere we look. But we often travel through life crippled and completely lacking the very thing we crave so desperately. Love is free for the taking if we would just open ourselves to receive it. So, let love flow to you and through you. Love has no beginning or end because love is all there is.

MY NEW COURSE
I have now begun the initial preparations for the creation of an online course that will expand upon and supplement the material presented in When We Pray. The course should be completed and ready for enrollment by the 2nd week of January. 

MY NEW STUDIO SPACE
On January 4, 2019, I will become one of the resident artists at Blank Page Studio. Blank Page Studio is a non-profit corporation dedicated to providing low-cost studio space for visual artists and supporting the visual arts in Oakland public schools. It is an honor and a privilege to share in the work of an organization that supports the youth of Oakland.  Be on the lookout for your invitation to my Grand Opening celebration!

PAINT PARTIES ANYONE!
As of January 1st, I will be working with Wine and Design – Oakland as a painting party instructor. Wine and Design is located in downtown Oakland at Jack London Square.  If you want to try something different, celebrate an occasion, or raise funds for your favorite non-profit we are the ones to call. Don’t forget to request yours truly as your party artist.

FINE ART INSTRUCTOR
My contract as a Fine Art instructor for 6-8 graders who participate in the Higher Ground After School Program has been renewed. Higher Ground is a non-profit corporation dedicated to serving youth in the Oakland public school system.