fine art

ASANA IMAGE 2: Full Lotus

The second acrylic of my new “Asana” series has officially begun!

This is the second image in the acrylic images of the Asana series. It is a 30 x 30 – inch acrylic image that was begun live during my second attempt at live painting! The image was initiated at “Yoga After Dark” a monthly event conducted by Black to Yoga. I will be the resident “live painter” at these events so come check me out sometime soon. 

This image depicts Maureen from Moga Yoga as she prepares for deep meditation in the Lotus pose. Maureen is depicted in the more challenging “full lotus” position as opposed to the less challenging “half- lotus” asana. The seri yantra depicted behind her is a symbolic meditation symbol. The triangles in the center portion represent the power of the divine to manifest creation,. The graphic shapes just outside the triangles are graphic interpretations of lotus flowers which symbolize birth, life, renewal, hope…while the four points at each end of out square-like shape are indicative of the four elements.    

I have just begun the initial images for the watercolor portion of the series. Be on the lookout for a beautifully printed calendar you can purchase next year! 

Presenting my Research

I had the pleasure of presenting my research on aesthetics and discussing “The Beautiful” and its relation to creativity theory with the members of the PInole Artisans group last week. It was a real pleasure to present my research to a group of artists rather than a theological conference. I did some expounding upon a powerpoint deck and read an excerpt from my book, “When We Pray: 8 Meditations on the Aesthetics of Prayer & the Spiritual Life” (Balboa Press Books 2019). My presentation was well-received and I was invited back next year.



*To purchase the original, click on the image above.

**To purchase a giclee limited edition print click here



#fulllotus #yogaposes #blackyoga #yogaart

My new series has begun!

My new “Asana” series has officially begun!

The image depicted above is the first piece to be completed in my new Asana series. The last time I reached out, I spoke about my intention to begin collaborating with the Yoginis who have formed the entity Black to Yoga – Maureen Miller, Kirsten Rogers, and Zenovia Forbes. 

This initial reaching out led to the completion of three sessions of photos shoots. I shot loads of reference photos for the coming series and completed some sketches for layouts. The images are HOT, and I have been so inspired that I could hardly wait to begin painting! 

The inspiration for the series hit me about 10 years ago. I had only recently been introduced to yoga by a former partner and I was amazed at how much my limited knowledge and intermittent practice had already begun to have a profound effect on me. At my partner’s suggestion, I borrowed her copy of “Light on Yoga” by B.K.S. Iyengar and then began sketching images of various poses I found in some photographic journals on yoga. Some weeks later, in the midst of a sketch it suddenly struck me, “Why aren’t you producing your own images and interpretations of these poses?” and from that moment on,  the fire began to burn. 

As any creative will testify, inspiration is more often than not- a fickle, fleeting, elusive thing. Just like a cat, it rarely comes just because you call it. The lightning of inspiration does strike but you never really know where or when. Hence the reason most of us rush to strike while the iron is hot. But this fire has been burning for almost 10 years!

Every time I wanted to begin working on the images, circumstances always appeared to block my way. I often spoke about it to yoga students and instructors who entered my studio – and some even offered to model for me. But for some reason, the timing and the offers just didn’t feel right. Something in my spirit would not find ease with those opportunities. but I still kept feeling inspired to work on the series. 

However, there is something to be said for waiting.  The deep inner knowing within us always makes its desires known at the perfect time if we are willing to patiently wait, watch, and listen. I now understand the reason(s) for the delay. My heart was in the right place, my intentions were noble and sound, but I lacked the knowledge, sufficient development in my own yoga practice, and internal maturity needed to pursue this project in a manner that would do it justice. Some things can only be learned and developed through trial and experience and I was simply not yet ready. We often don’t know what we don’t yet know.  Thanks be to Spirit for growth, maturity, and waiting!   

This is the first image in the acrylic images of the Asana series (there will be a much larger watercolor series as well). It is a 30 x 30 – inch acrylic image that was begun live during my first attempt at live painting! The image was initiated at “Yoga After Dark” a monthly event conducted by Black to Yoga. I will be the resident “live painter” at these events for the next 3-4 months so come check me out sometime soon. 

The initiated live painting with model Kirsten Rogers

The completed live painting with model Kirsten Rogers

There’s a lot going on!

This year opened with a bang and continues to keep me busy. I am joyous and grateful for the doors that Spirit has begun to open for me! In January I was able to move into my new studio space and begin getting myself settled in there.

February opened with my participation in The Art of Living Black 2019″ show and open studios, along with the completion of my first book When We Pray. I want to thank all who offered your support by placing a pre-order for When We Pray. Your patience during the order fulfillment process was greatly appreciated. I am a freshman author and I learned a great deal during the course of my publishing process. The insights have been a real blessing.

March began with a wonderful Grand opening celebration that was both a debut of my new studio space and my first book reading. Both portions of the event were well attended. The music was and refreshments were also outstanding.

April opened with the start of my 6-week workshop on a mind-body technique called Visual Journaling. The group is small but very committed. The participants are gaining clarity and wisdom from the technique and having a great time in the process! I also participated in the opening reception for my Solo show at the East Bay Church of Religious Science. The show will be up until April 30th – so feel free to stop by EBCR if you have time.

On April 28, I’ll be doing some live painting at the Oakhella Street Festival Season Opener! I have never done any live painting before so I am both nervous and excited to take advantage of this new opportunity. However, I am up for the challenge and grateful for another chance to expand my comfort zone. I plan to raffle off the painting I complete for the Oakhella Festival so make sure you come by painting space and pick up a few tickets ($5 each). You could be a winner! 

This May I would love to engage with you at my May 9th Workshop!
SEARCHING for BEAUTY: INSIGHTS on ART, AESTHETICS & PRACTICE
Thursday, May 9, 2019
6 pm to 8 pm

Abrams Claghorn Gallery
125 Solano Ave. Albany, CA

BE ON THE LOOKOUT FOR MY NEW COLLABORATIVE PROJECT!

After 10 years of waiting, I will soon begin working on a new series of images on yoga. I have been talking about this project for 10 years and it has just not materialized. I applied for grant funding last year but my proposal was denied. However, Spirit has recently given me the go ahead and presented me with the perfect opportunity to work birth this series.

I will be creating a 12-piece series of watercolor images on yoga. The series will be in collaboration with the founders of Black to Yoga. Black to Yoga is a monthly yoga extravaganza created by people of color, for E-V-E-R-Y-B-O-D-Y! Their mission is to bring health and wellness to our community through the transformative power of yoga.

The founders of Black to yoga have graciously offered to pose as models for the series, and collaborate with me as sponsors of the series once it is completed. I am extremely excited about this opportunity and can’t wait to get started! 

Coming Events

SOLO SHOW OPENING 

East Bay Church of Religious Science
4130 Telegraph Avenue, Oakland, CA
*The reception is free and open to the public 

Friday, April 5, 2019
7pm to 9pm

I will do some readings from my book When We Pray AND showing the images from the
When We Pray Series (along with some other works).

 

YOU CAN STILL REGISTER FOR MY APRIL 2ND WORKSHOP
If you are local, purchase your spot in my upcoming Visual Journaling Workshop.

VISUAL JOURNALING
The soul speaks in many forms. Visual Journaling helps us identify and name these messages so we can more easily identify which part of our soul is speaking. The manifestation of an image can often allow us to access and process experiences by deeply engaging both the body and mind in the effort. Visual journaling helps us hone our inner vision by expressing thoughts, feelings or emotional reactions as colors, shapes or images.

The Course
This 6-week course will explore the technique of Visual Journaling and the ways in which it promotes our own spiritual growth. Each week the facilitator will discuss aspects of the technique and then present an exercise focused upon a particular theme (love, joy, grief, pain…). Participants will be expected to complete additional exercises at home during the week and contribute to group discussions during the weekly meetings. The final meeting will be dedicated to the creation of a larger final piece that will explore the results of the process.

Maximum number of participants: 12 
     
Registration deadline: April 1, 2019 (10am)

Dates: April 2, 2019 to May 2, 2019  Tuesday nights (4.2, 4.9, 4.16, 4.23, 4.30 & 5.7) 

Time: 6:45pm to 8:15pm   

Cost: *$225 
Payment includes 6 workshops sessions, supplies for 5 of the sessions, and healthy snacks.

*1x payment that must be completed prior to 10am. April 1, 2019)

2 Scholarships are available.
To apply for a scholarship, or ask a question please submit a confidential email to: info@damonpowell.com

OTHER EVENTS

Preaching
7 Last Words Service
Corinthian Baptist Church
(550 24th St. Oakland, CA)
April 19, 2019
7pm to 9:30pm

May Workshop
Workshop on artistic practice & aesthetics
Abrams Claghorn Gallery
(1251 Solano Ave. Albany, CA)
May 9, 2019

YOU CAN STILL PURCHASE

WHEN WE PRAY: 8 Meditations on the Aesthetics of Prayer & the Spiritual Life

Content

The overarching aim of When We Pray is to explore the connections between prayer, meditation, art, and aesthetic experience in ways that are both insightful and practical. Each of the eight essays takes the reader on an exploration of topics such as the role of imagination in prayer and manifestation, the aesthetic aspects of enlightenment, the role of signs and symbols in the spiritual life, and more. As you explore these topics you are also invited to feast your eyes upon professional illustrations created by the author himself. When We Pray is a total package experience that features insightful, thought-provoking essays that are accompanied by beautiful, well-crafted imagery that supports the topics covered in the prose.  

Features
-When We Pray is printed in an 8.5 x 11, soft-cover format. The prose and the accompanying illustrations are printed with black ink on opaque white paper. Your copy will be autographed!  

-The cover illustration is a 7×10 limited edition, full-color illustration printed using archival inks and paper. Each print will be numbered and signed by Dr. Powell.     

TOTAL COST $25

Price includes the price of the book, the limited edition print, applicable taxes, along with shipping and handling.
To place your order, click here:  WHEN WE PRAY

**Please send this link to others who might be interested in this offer**

 

When We Pray Is Ready!

PLACE YOUR ORDER NOW!

*The first 350 people to place their order will receive a signed copy of the book AND a limited edition 7 x 10 print of the cover illustration (pictured above).  

WHEN WE PRAY
Eight Meditations on the Aesthetics of Prayer and the Spiritual Life

When We Pray Cover Illustration

When We Pray Cover Illustration – limited edition print

CONTENT

The overarching aim of When We Pray is to explore the connections between prayer, meditation, art, and aesthetic experience in ways that are both insightful and practical. Each of the eight essays takes the reader on an exploration of topics such as the role of imagination in prayer and manifestation, the aesthetic aspects of enlightenment, the role of signs and symbols in the spiritual life, and more. As you explore these topics you are also invited to feast your eyes upon professional illustrations created by the author himself. When We Pray is a total package experience that features insightful, thought-provoking essays that are accompanied by beautiful, well-crafted imagery that supports the topics covered in the prose.

*The first 350 people to place their order will receive a signed copy of the book AND a limited edition 7 x 10 print of the cover illustration (pictured above).  

FEATURES
-When We Pray is printed in an 8.5 x 11, soft-cover format. The prose and the accompanying illustrations are printed with black ink on opaque white paper. Your copy will be autographed!  

-The cover illustration is a 7×10 limited edition, full-color illustration printed using archival inks and paper. Each print will be numbered and signed by Dr. Powell.     

The Total cost for your PRE- ORDER will be $20
This includes the price of the book, applicable taxes, along with shipping and handling for the book and limited edition print

To place your order, click here
WHEN WE PRAY PRE-ORDER
or any of the underlined links above

THE AUTHOR

The Reverend Damon A. Powell, Ph.D. is an artist and theologian who currently resides in Oakland, California. Dr. Powell’s academic research and artistic creations focus on the intersections of art, aesthetics, and spirituality. Dr. Powell’s insights come from extensive research into a wide range of spiritual and philosophical concepts that have provided him with a deep understanding of the various ways the spiritual and the aesthetic interpenetrate one another. Damon’s artistic creations are the result of ongoing spiritual practices that provide insights that he births into visual form using color, line, and symbol. Damon’s mission is to give form to divine light through the manifestation of symbolic images that reflect on the myriad ways Spirit reveals itself within our daily world.

**Please share this link with others who might be interested in this offer**

Coda: There is Only Love


FINAL CHAPTER EXCERPT   

The publishing process for my book is moving along much faster than anticipated. The editing phase is almost complete. The final phase, publication should be well underway by mid-January. Look out for opportunities to place your order very soon. Below are a few selected excerpts from the concluding chapter, Coda: There is Only Love.

When We Pray VIII: There is only Love

 

When I began to download the initial inspiration for “When We Pray,” I had no idea that a series would follow. The initial inspiration came forth just as many others have during my daily practice of prayer and meditation.  I was sitting quietly, peacefully, feeling the warm and then cool pattern of my breath when I became of aware of a very distinct sense of presence all around me. It was not a sudden awareness but a slow, steady, building which seemed to reveal itself progressively as it became increasingly more distinct all around me. I’m not sure how long the process took, but it was a slow and deliberate revelation that became increasingly more palpable. I felt no fear, only an evermore confident sense of comfort, ease, and genuine care and concern for the issues I was offering up for divine assistance. I somehow instinctively knew that my inner voice was heard, that spirit was listening and was also compassionately concerned. As I poured forth my concerns, there was a gentle but firm sense of being held, or of being wrapped by divine hands and arms. That I was being stroked and soothed as a mother would her slumbering child. At the same time, I felt as if I was also shielded and supported. Then it suddenly dawned upon me that I was in God’s hands and that this was the place I had occupied every time I prayed, but I had only now become aware of it. This realization of being in enveloped within the hands of the divine resulted in the initial image of the series…

…As we are lifted-up by love we also lift and are lifted by others. This active web of relations lies at the heart of love and forces us to confront humanity’s dominant conceptualization of love. We conceptualize love as a noun, but love is and ever shall be a verb. Because love, like creativity, requires manifestation. Love must be made visible, or it is not authentic love. All our conceptualizing and imaginings about love are simply much ado about nothing unless they become expressed in the form of concrete actions expressed in daily life. These expressions undergird our need to “make” love, “fall in” love, “give” love, “welcome” love and actively experience it in all the myriad ways it can be given and received…

…From a metaphysical perspective love never ends. But it is often born, dies, and is resurrected within the context of our material human experience. If we would simply take the time to look within, listen to our souls, and set free the love already within us, we would surprisingly find more of it everywhere we look. But we often travel through life crippled and completely lacking the very thing we crave so desperately. Love is free for the taking if we would just open ourselves to receive it. So, let love flow to you and through you. Love has no beginning or end because love is all there is.

MY NEW COURSE
I have now begun the initial preparations for the creation of an online course that will expand upon and supplement the material presented in When We Pray. The course should be completed and ready for enrollment by the 2nd week of January. 

MY NEW STUDIO SPACE
On January 4, 2019, I will become one of the resident artists at Blank Page Studio. Blank Page Studio is a non-profit corporation dedicated to providing low-cost studio space for visual artists and supporting the visual arts in Oakland public schools. It is an honor and a privilege to share in the work of an organization that supports the youth of Oakland.  Be on the lookout for your invitation to my Grand Opening celebration!

PAINT PARTIES ANYONE!
As of January 1st, I will be working with Wine and Design – Oakland as a painting party instructor. Wine and Design is located in downtown Oakland at Jack London Square.  If you want to try something different, celebrate an occasion, or raise funds for your favorite non-profit we are the ones to call. Don’t forget to request yours truly as your party artist.

FINE ART INSTRUCTOR
My contract as a Fine Art instructor for 6-8 graders who participate in the Higher Ground After School Program has been renewed. Higher Ground is a non-profit corporation dedicated to serving youth in the Oakland public school system. 

The Aesthetics of Enlightenment

MANUSCRIPT COMPLETED!!
I spent long hours over the holiday weekend working on completing the manuscript for When We Pray. The manuscript and the images have all been formatted and sent to the publisher. I will be publishing through Balboa Press Books with an estimated release date of late February- early March provided everything runs smoothly.
The book will be printed in an 8.5 x 11 softcover version which should run about 80-100 pages. I have decided to complete a special illustration for the cover and need to have it completed for publication by mid-January. I AM SOOOO EXCITED!!! I am literally overflowing with anticipation to see one of my lifelong dreams coming to fruition!!

MY NEW COURSE
I have now begun the initial preparations for the creation of an online course that will expand upon and supplement the material presented in When We Pray. The course should be completed and ready for enrollment by the 2nd week of January (if not sooner). The new year is going to start off with a bang!

ARTICLE PUBLISHED
My article, “Conjuring the Muse: A Theology of Inspiration and Imagination” is now in print (finally). It is available in the November issue of the SEEN Journal – HOPE edition, Vol. XVIII (November 2018) a publication of the group CIVA (Christians in the Visual Arts).

EXCERPT ROM CHAPTER 
Below are a few selected excerpts from chapter 2. Remember, my manuscript hasn’t been poured over by the editor yet so things could change.:-)

When We Pray II
The Aesthetics of Enlightenment: The Universal & the Particular
                When the word “aesthetics” is mentioned in contemporary circles, most of us associate it with theories regarding how we perceive and understand beauty, but this is a very limited perception that merely props the door open. If we open the door fully, we are invited to enter a much broader landscape which grounds aesthetics in the realm of sensory experience. Our senses are essential to this discussion because beauty must be perceived in order to be experienced, and perception is impossible without the use of our senses. You see a beautiful work of art, you hear beautiful music, you see and taste a beautiful meal, you physically and emotionally feel the power of nature. Beauty, at its most fundamental level, is a celebration of the sensual which props open the door to a wider range of aesthetic experience. “Aesthetics” is derived from the Greek root aesthesis which can best be defined as “of the senses” or “perceptible by the senses”. When the founder of the discipline, Alexander Baumgarten coined the term “Aesthetics” his original intention was to establish a scientific method for the study of empirical experience.[i] If beauty props the door open so we may glimpse what’s on the other side, Aesthetics opens the door and invites us into an exploration of sensory perception and the nature of human embodiment.
Far too many of us live disembodied lives. We are rarely fully present to our experiences due to living in the past, worrying about the future, over medicating, overindulging, blocking or denying our feelings, ignoring or neglecting our bodies…until we reach the end of our lives without ever having truly lived them. Unfortunately, many of our religious and spiritual traditions do more to re-enforce this tendency toward disconnection than encourage healthy and affirming attitudes toward embodiment. We have been told that the body is bad, sinful, part of the reason we suffer and a host of other negative assertions. However, embodiment is essential because It is through the locus of our bodies that we perceive and experience this reality…

               …Science now re-enforces this claim by proving that every perception we have is accompanied by a corresponding physical sensation that is stored in the body as cellular memory. Whether it is a thought, an experience, a feeling…it is still perceived by the brain and the body as sensory data that is recorded and stored within the cellular memory – whether we are consciously aware of the experience or not. This finding supports psychological theories which discuss trauma, PTSD, post-traumatic slave syndrome, recalling experiences in the womb while under hypnosis, and practices such as the curing of ailments through body awareness practices, improving intuition through muscle testing…etc. This process of cellular encoding ensures that all human experience is sensory, embodied, and aesthetic.
If all experience is aesthetic, then the paths to enlightenment, nirvana, and the road to heaven must all be paved with sensory experience. If we are to walk this path, we must first define what we mean by enlightenment. Enlightenment is not a destination to be reached nor a threshold that one must pass through. Enlightenment is a blossoming, a progressive unfolding of insight and revelation into the nature of universal, divine, consciousness. This perspective moves us away from the misguided notion that Enlightenment is a prize to be obtained or a goal that one accomplishes. Neither is it a destination to be reached. This mindset is much too static. A more nuanced perspective allows us to envision a progressive, ongoing, revelation of consciousness that moves us through the sensual toward the supra-sensual until we eventually become one with pure consciousness. The movement toward enlightenment is one of relative degree and expansion into the vastness of all that is…
                 …We have this treasure in earthen vessels. But in order to find the “treasure”, we must be willing to dig for it. We must be ready and willing to get down on our hands and knees and dirty ourselves in the soil of life. This is the true purpose of living. To dig deep into the ground of existence, to struggle to be present to our particular lives and all the experiences it will present us….(excerpt).

[i] Richard Shusterman, “Aesthetic Experience: From Analysis to Eros” The Journal of Aesthetics and Art Criticism 64: 2 (Spring 2006), 218.

Love: The Harmony of Coherence

INSPIRATION

This is the one everyone seems to have been waiting for. Since I began painting the chakras everyone who’s entered my studio eventually asks, “When are you going to create something for the heart chakra?” ” I really love this series. I can’t wait to see the piece you create for the heart chakra, “ or variations thereof.  Most of my patrons appear to go blank when I tell them, ” I am waiting for direction because the process is rather intuitive so I really have no idea which chakra will be next.” 

Hindsight is always 20/20. 2 weeks ago I came to the realization that all of the chakra work I had been doing for the other pieces was in preparation for the internal shifts I needed to make for the creation of this one. When discussing the root chakra last month, I spoke about going deep within and grounding myself as I began a period of deep inward soul-searching. This led me to what I understand now as the next logical step –  cleansing and purification. I needed to clear away and jettison the things which no longer served me. I needed to go into my prayer closet and not come out until I could see with a much clearer vision. I needed to unburden my mind, body, soul, and heart. It was time to let go and release.

For me, this process began with a firm push from my guides to finally invest in the Neurogym program with John Assaraf. I have been following his work for a couple of years now but had been hesitant to make such a heavy investment. But now my guides were pushing me. This was the worst possible time since things were becoming progressively more intense around money. Every time I asked, I was given the go-ahead to get on the payment plan as Spirit said, “trust me!” From the ego’s perspective, everything about this decision was wrong because it appeared as if everything was falling apart around me. But Spirit kept repeating, “trust me.” Shortly after making the initial payment I also began a period of cleansing and preparation which ended up lasting 15 weeks. No drinking, no smoking, no sex, no dating; combined with weekly periods of intermittent fasting, cleaning up my diet, consistent exercise, and the completion of a series of spiritual clearing and discernment exercises that included daily affirmations, intense journaling, and discernment exercises – all while completing the daily requirements of the Neurogym program! It was only about a week ago that I realized I had designed and enrolled myself in my own personalized holistic Bootcamp!!

The Nuerogym program consists of neuro-linguistic programming, guided visualizations, guided self-hypnosis, self-affirmations, and brain training exercises to and more. The inner work I was able to do, combined with my own spiritual practices and exercises would have easily taken me another 1.5-2 years if I hadn’t invested in the program. Having said all of that, I highly recommend it to anyone who is serious about internal transformation and wants to make a real investment in themselves. As with anything in life, you only get out what you’re willing to put in, so spend the money and commit to doing the work.

Love The Harmony of Coherence
Love: The Harmony of Coherence

Coherence is defined as “the quality of forming a unified whole”. Unity and wholeness can only exist when there is equilibrium and harmony. This is the work of the 4th chakra and the reason why it serves as the center-point of the entire chakra system. From this center, it balances and harmonizes the energies of the chakras above and below it thereby creating coherence. In the heart chakra, the externalized, egoistic, desirous energies of the 2nd chakra become internalized and we begin to see the world from the broader lense of relationality and reciprocity. This shift toward the more internal states generates a higher vibrational frequency that opens a channel for inner and outer harmonization. The balancing and harmonizing force resulting from this coherence is love. Love is an inside job!

Love is a unifying force. It creates balance and harmony through the allowance and acceptance of interdependence in order to create a greater whole. All things strive toward harmony and equilibrium. Imbalances can’t and won’t endure. The key to creating this unity is acceptance. Self-acceptance is the key that unlocks the door to greater and deeper levels of self-love. From this perspective, we don’t make or create love we, discover and allow it through our willingness to open, accept and allow. This means allowing things and people to be who and what they are. The greater our capacity to do so, the greater the coherence created which increases our capacity to love.

I needed to learn more deeply about the nature of love. I could go no further until I was cleansed, purged and opened. There were too many blockages, too many aspects of my life that needed to be either accepted, reconciled or jettisoned. They had been holding me back from growth and consequently blocking my expansion to the higher levels. The imbalances had become much too great and much too costly. Every aspect of my life was being affected. I could no longer piece-meal it or wait. I had to do the work!

It was time for me to confront and accept myself. I had to let go, forgive, allow, trust, listen,  purge, cleanse, re-fill, discover, open, appreciate, give thanks, release, admit, fortify, pray, meditate, shift, cry, scream, push, be still…until the end was the end and also the beginning.  Just like Jacob, I wrestled with the angel in the darkness and was determined to not let go until it blessed me. When the morning came, Jacob received his blessing but he was also wounded. When the dawn finally cracked across my horizon, I too received my blessing.  In my case, I was already wounded and am wounded still. But this time the wound is different. I accept it, have peace with it, carry it, nurture it, treasure it, and allow it a special place on the altar of my heart as a reminder of the costs of transformation.

Although I didn’t know it at the time, this creation has also been the one I too have been waiting for. I would never dare to say that I have arrived. But my heart has been opened and what lies there now is vastly different from what occupied the space before it. There is a great deal more acceptance, a deeper level of coherence, greater harmony, and a more open, willing and desirous capacity for love. There were many things I had to confront and let go, but letting go is not same as giving up. Love is the harmony of coherence.

SYMBOLISM

As with every piece within this series, the graphic lotus-like symbol above the figure contains the Sanskrit symbol for that particular chakra and the corresponding number of leaves that indicate the heart or central chakra (12).

The central figure is seated in the yogic full lotus asana with his palms turned upward and his hands loosely cupped. Upturned palms are predominantly a receptive state which matches the yin energies associated with the heart chakra. His eyes are closed with his head slightly bowed as he focuses his awareness within. My initial inclination was to use deep rich browns, blues, and purples for the skin tone in order to make a connection between the dark fertile earth and the deep green of growth and vegetation, but the color sketches I produced all made the figure overpowering among the green. This also kept the viewer’s eyes stuck on the darker shades in the center of the composition – thus making the entire composition too static. The lighter sienna tones provide a much more soothing complement to the greens (red and green are complementary colors) and allow the eyes to move in and around the composition giving it a feeling of spaciousness despite the large figure and lotus.

The lotus beneath the figure is large by design. It partially encompasses the lower portion of the figure while the leaves extending behind the figure give the impression that they are almost supporting him.

The background composition incorporates the all of the shades of green used throughout the painting and gives the background a soothing quality that appears to be both dynamic and static all at once. The activity gives movement without competing with the key elements in the composition.

To purchase a Print: Love – Prints

Purchase the Original: Love – Original

To join my mailing list: Damonpowell.com

Insight: Knowing the Light Within

INSPIRATION

Working with the 6th chakra has helped me to intimately understand how everything unfolds perfectly within the divine’s right and proper time. It has helped me discover depths of perception and insight as they have come to me in a steady progression that reminds me of the lotus slowly unfolding to the light of day. For me, this progression was initiated with the new year as I underwent a week of prayer, journaling, fasting, and detoxification. My plan was to release the old, and use journaling and other rituals to clarify and visualize what I wanted to manifest for the future. This time of release and invocation provided me with a clarity of presence and a wide field of vision from which to gain a greater connection to my guides, higher self, and spirit. I was praying for the removal of that which no longer served me, and the insight needed to move with inspired direction.

It reminded me that seeing is a passive faculty. It is the eyes that perceive, but the mind that sees. When our eyes are open they only pick-up the emanations of light and energy that are reflected from the matter around us. These reflections are then turned upside down and reversed before being presented to the mind for perception and interpretation. Seeing is truly an inside job. The only true light we will ever know or comprehend is the light we find within – physically and metaphorically.  From this perspective, physical sight can also be considered an exercise in intuition since we never actually “see” the matter we encounter in the world around us – but simply intuit its presence and capacities based upon the reflected light and energy it emits. We must trust what light we perceive and intuitively adjust our actions and behavior based upon those emanations. We walk by faith, not by sight. The more light we allow and open our eyes to perceive, the greater our capacity to gain insight and interpret the world around us. Likewise, the more we are still, focused and passive, the better our capacity to perceive and interpret the light we have allowed within. This is why the 6th chakra is dedicated to sight, perception, and intuition.

My week of prayer and fasting help me to understand how much the mechanics of sight and insight are almost identical to one another physically and spiritually. Our chakras and minds do not perceive divine light – because its substance and vibration are entirely too high, but rather the myriad reflections of its movement that have slowed enough vibrationally for our minds to perceive them. These reflections are always there but we are able to perceive them more readily when we are still, passive, open, allowing, and focused upon receiving them. In my experience last month. This state allowed me to begin opening my self to greater levels of reception, which fostered stronger intuitive insights and a deepening of my faith after receiving them. Part of this process was magnified after my guides led me to sign up for a “28 Day Challenge” online course geared toward deepening one’s connection to spirit, higher self, and guides. This guidance was given one week after I had been guided to begin work on the 6th chakra as the next piece in the series, and 3 days after I had completed my research and begun the actual painting! Everything unfolds perfectly within the spirit’s right and proper time. 

Although sight and insight are passive, these passive faculties activate other aspects of our being which are much more active and projective. The more we deepen and open ourselves to receive, the greater our capacity for output through the use of imagination, visualization, and manifestation. The greater our capacity to receive, the greater our ability to project. This is why it so important that we know the light within. Creation and manifestation are birthed from imagination and visualization. The more light we allow within, the greater our capacity to manifest and create – both spiritually and physically. The 6th chakra is both active and passive as it functions to provide clarity, insight, and intuition, while simultaneously being actively present in the work of visualization and manifestation. 

As a point of clarification, I would also like to point out that the third eye is not synonymous with the 6th chakra. Many people convolute the third eye, 6th chakra, and pineal gland but they are not the same thing. Each is its own separate entity. Just as there are other chakras, the third eye is another form of chakra but it is not the 6th chakra. Any well-informed teacher will confirm this. The 6th chakra and third eye often support one another or work in tandem but they are still very separate. The 6th chakra is located deeper inside the brain at or just above eye-level, while the third eye is located in the front of the head between the eyes or eyebrows. If you spend some time meditating upon the 6th chakra and grow more attuned to it you will begin to notice the subtle differences in the energy of the two.  It also helps to spend some time bringing energy into the 6th chakra from the back of the head until you can become more familiar with the differences.

Although I have not been able to find any definitive statement on the exact function of the third eye, I would postulate that it is exactly what its name suggests – a spiritual third eye or chakra geared specifically toward the reception of spiritual light and energies. It functions as our physical eyes by picking up these energies and transmitting them to the 6th chakra so that they can be interpreted, provide wisdom…and then hopefully used by the 6th chakra for the purposes of imagination, visualization, and manifestation. 

Insight: Knowing the Light WithinInsight: Knowing the Light Within

SYMBOLISM

This chakra moves us a step further along the color wheel and higher in vibration. We move from the lighter, cerulean blue of the 5th chakra to the deep indigo of the 6th. The closest representation of that blue is found within the graphic symbol of the chakra depicted above the figures head. Because the indigo is so deep and rich, I was forced to integrate other shades of blue into the composition in order to maintain clarity between the deep purple of the 7th chakra and the deep blue of 6th. Sometimes, the eyes can confuse the two hues with black, and/or not clearly distinguish between them when they are so closely placed to one another. I hope to show the whole series together once it is completed and was concerned that patrons might not be able to easily differentiate between the two – so I took the liberty of using my artistic license in order to create a greater distinction between the hues. This is also why I chose to use a somewhat lighter blue for the background color. Even with the white covering parts of it, the deep indigo would have just been too overpowering.

As in the other four depictions, the figure sits upon a lotus flower, The subtle difference here is that this figure is not just in meditation but also in visualization. We have moved from the vibratory matter of the 5th chakra (she was chanting) to the higher vibration of light here in the 6th. Sight and insight are the material of visualization. Her thumbs are placed upon her heart as she somatically connects head and heart through the action of touch. Scientific studies have shown that placing one’s hands upon the heart, and or touching the heart while meditating strengthens the bond between them thus allowing for increased levels of intuition and greater amplitude from the heart itself. 

The graphic lotus symbol above her head contains the Sanskrit character for the chakra and the two petals associated with the 6th chakra. The white of the background is representative of the cosmic ethers waiting to be absorbed and directed.    

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Polarity: The Balancing Of Desire

INSPIRATION

Most people think the second chakra is all about sex and sensuality, but to limit this chakra’s energies to such a narrow bandwidth is literally majoring in the minors. Sex and sensuality are one the many by-products resulting from the actions of the 2nd chakra’s core responsibility: the balancing of polarity. Polarity is the action or power that connects two opposing forces. In this case, the old adage “opposites attract” is right on target. An easy example lies in the action and attraction of yin and yang both intermingling and interpenetrating one another. Polarity is the energy which binds the power of dualistic forces. As beings of Spirit and matter our very existence is an exercise in the balancing of dualistic forces in polarity.

The 2nd chakra is also associated with the moon, water, emotion, and the gift of clairsentience (the ability to receive information through feelings). This emphasis on motion and change compliments the dynamic movement of forces needed to maintain polarity among opposing dualistic forces. Likewise, the age-old association of the moon and water with feeling and emotion matches the mercurial nature of emotions themselves – as we can be happy one moment and sad the next. Humans can experience the depths of emotion and then enter a complete state of shock that renders us incapable of feeling. These are the mysteries of the sacral chakra. Upon close examination, you will find that the binding agent between these forces, the glue which acts as the substance of polarity is human desire. It is my contention that it is this connection to desire which links the sacral chakra so closely with sex and sensuality.

Each and every moment of each and every day we are desirous of any number of things. To be human is to experience desire. Desire itself is decidedly neutral – for without it none of us would be able to accomplish anything. But if left unchecked or untempered, our desires can so easily become an enemy from within. A trojan horse that is capable of undermining and destroying all our hopes and dreams. If we repress our desires we dam the flow and our manifestations become dull and lifeless. However, if we allow our desires and passions to overshadow everything they will eventually consume us. Therefore, we strive to maintain an equilibrium among our various desires through the action of polarity. Just like water, our emotions, energies, needs, and desires must flow. Shifting and re-forming as needed to fit the multi-form contours of our desires as they expand, contract and intermingle according to the demands of daily life. One of the most easily identifiable areas for observing this need for polarity lies within the realm of sex and sensuality.

Polarity- The Balancing of Desire

Polarity: The Balancing of Desire

SYMBOLISM

The predominant color representation for this chakra is orange. For each chakra, I use a minimum of three variations of that particular color ranging from warm to kool. All other variations in tone are created by mixing a particular hue with white. For this image, I used the orange found in the lotus as the primary tone of the entire image. This tone colors the lotus, serves as the base tone for the background and was painted as a lighter layer on the flower beneath the seated figure.

The 2nd, or sacral chakra is symbolized by the six-petalled lotus with its accompanying  Sanskrit character (Savadhisthana). This same decorative flattened Lotus motif is found at the top and a more realistically rendered lotus is found underneath the seated figure.

The seated figure is meditating in the full lotus position with his hands pointing downward in the shape of a triangle. The triangular mudra has its opening in the location of the sacral chakra. I opted not to place a small graphic image of the chakra within the space for two reasons: I wanted to keep the imagery consistent with the remainder of the series, and I felt that a bright graphic image there would draw the viewer’s eye directly to that location where it would remain stuck – thus sapping energy and movement from the overall composition.

In many ways, this particular piece has been the most difficult one to create thus far in the series. The choice of which chakra to work on next has been Spirit-led and intuitive. This exercise has also meant that a major portion of my focus for this series has been an exercise in tuning in for guidance. Not only tuning in but more significantly, exercising the courage and discipline to trust and follow that guidance once it has been received. In “learning to trust my gut” as the old folks used to say. Learning to balance my inner feelings and hunches with the knowledge and skills I have acquired along the way has been a source of tremendous growth for me. I look forward to the coming year with courage and wonder.  I have finally begun to realize that the process is as important as the outcome. Balance is the key. Namaste’

Look out for a discussion of the 6th chakra next month!

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