painting

Polarity: The Balancing Of Desire

INSPIRATION

Most people think the second chakra is all about sex and sensuality, but to limit this chakra’s energies to such a narrow bandwidth is literally majoring in the minors. Sex and sensuality are one the many by-products resulting from the actions of the 2nd chakra’s core responsibility: the balancing of polarity. Polarity is the action or power that connects two opposing forces. In this case, the old adage “opposites attract” is right on target. An easy example lies in the action and attraction of yin and yang both intermingling and interpenetrating one another. Polarity is the energy which binds the power of dualistic forces. As beings of Spirit and matter our very existence is an exercise in the balancing of dualistic forces in polarity.

The 2nd chakra is also associated with the moon, water, emotion, and the gift of clairsentience (the ability to receive information through feelings). This emphasis on motion and change compliments the dynamic movement of forces needed to maintain polarity among opposing dualistic forces. Likewise, the age-old association of the moon and water with feeling and emotion matches the mercurial nature of emotions themselves – as we can be happy one moment and sad the next. Humans can experience the depths of emotion and then enter a complete state of shock that renders us incapable of feeling. These are the mysteries of the sacral chakra. Upon close examination, you will find that the binding agent between these forces, the glue which acts as the substance of polarity is human desire. It is my contention that it is this connection to desire which links the sacral chakra so closely with sex and sensuality.

Each and every moment of each and every day we are desirous of any number of things. To be human is to experience desire. Desire itself is decidedly neutral – for without it none of us would be able to accomplish anything. But if left unchecked or untempered, our desires can so easily become an enemy from within. A trojan horse that is capable of undermining and destroying all our hopes and dreams. If we repress our desires we dam the flow and our manifestations become dull and lifeless. However, if we allow our desires and passions to overshadow everything they will eventually consume us. Therefore, we strive to maintain an equilibrium among our various desires through the action of polarity. Just like water, our emotions, energies, needs, and desires must flow. Shifting and re-forming as needed to fit the multi-form contours of our desires as they expand, contract and intermingle according to the demands of daily life. One of the most easily identifiable areas for observing this need for polarity lies within the realm of sex and sensuality.

Polarity- The Balancing of Desire

Polarity: The Balancing of Desire

SYMBOLISM

The predominant color representation for this chakra is orange. For each chakra, I use a minimum of three variations of that particular color ranging from warm to kool. All other variations in tone are created by mixing a particular hue with white. For this image, I used the orange found in the lotus as the primary tone of the entire image. This tone colors the lotus, serves as the base tone for the background and was painted as a lighter layer on the flower beneath the seated figure.

The 2nd, or sacral chakra is symbolized by the six-petalled lotus with its accompanying  Sanskrit character (Savadhisthana). This same decorative flattened Lotus motif is found at the top and a more realistically rendered lotus is found underneath the seated figure.

The seated figure is meditating in the full lotus position with his hands pointing downward in the shape of a triangle. The triangular mudra has its opening in the location of the sacral chakra. I opted not to place a small graphic image of the chakra within the space for two reasons: I wanted to keep the imagery consistent with the remainder of the series, and I felt that a bright graphic image there would draw the viewer’s eye directly to that location where it would remain stuck – thus sapping energy and movement from the overall composition.

In many ways, this particular piece has been the most difficult one to create thus far in the series. The choice of which chakra to work on next has been Spirit-led and intuitive. This exercise has also meant that a major portion of my focus for this series has been an exercise in tuning in for guidance. Not only tuning in but more significantly, exercising the courage and discipline to trust and follow that guidance once it has been received. In “learning to trust my gut” as the old folks used to say. Learning to balance my inner feelings and hunches with the knowledge and skills I have acquired along the way has been a source of tremendous growth for me. I look forward to the coming year with courage and wonder.  I have finally begun to realize that the process is as important as the outcome. Balance is the key. Namaste’

Look out for a discussion of the 6th chakra next month!

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Flowering of the Cosmic Consciousness

INSPIRATION

To tell the truth, I’m really not sure where this is going? I have been doing a great deal of reflecting in the past few weeks and am in a constant state of awe and gratitude for my present way of being. My decision to pursue my dreams of being a full-time artist has also placed me in the unique position of starting my life all over again. I have literally been given (and co-created) an opportunity to re-create myself and my life. I sit at the potter’s wheel before a massive piece of clay that is ready to be formed into whatever image I desire. But what do I wish to create? What is the quality and content of my vision? I am totally free to fashion and create my life into anything I would like it to be. But this too is a position of both awesome freedom and great responsibility.

I have spent the last few weeks reflecting deeply upon my past, letting go of regrets, forgiving myself for wrongs inflicted upon self and others, examining the present moments, and thinking critically about who and how I want to be in the world. The decisions I make now, and the things I begin to manifest will become the building blocks of my new future – and this realization fills me with terror and exhilaration. But my past and its lessons are also still with me. These experiences have provided me with enough insight to understand that I cannot create a truly new and better future by operating with the same habits and levels of consciousness that have brought me to this moment. I must take a leap both artistically and spiritually. In order for lasting positive change to occur, one must not only know better but BE better!  Creating lasting change is an inside job. Without inner transformation, there can be no lasting and authentic manifestation. It is this realization which has caused me to spend the last few months meditating upon the crown chakra.

There can be no conscious creation without a corresponding change in consciousness. Einstein put it this way, “You cannot successfully solve a problem operating from the same level of consciousness which created it” (paraphrase mine). And so all things must become new. The 7th or “Crown” chakra serves as the gateway to higher levels of consciousness. It is our connection to the highest divinity and a key component in every act of physical manifestation. Spirit has been leading me to meditate upon the crown chakra (and my third eye) so that I can work on opening, widening, and deepening my connection to the higher levels of consciousness needed to become a more connected, centered, intuitive, creative, disciplined, resilient Damon – who is capable of creating and sustaining the life of my dreams. This effort necessitates the flowering of a cosmic consciousness. To leap towards the next level of my enlightenment.

Fron this perspective, we see the true meaning of enlightenment has nothing to do with a destination or goal to be achieved, but a process of ever-deepening discovery, or a never-ending expansion of one’s consciousness into that of the divine.  This expansion brings with it the capability to receive and perceive higher levels of vibration within one’s consciousness as the crown’s lotus expands and opens.  Hence we find that enlightenment is not a state of being, but a journey without beginning nor end.

Flowering of the Cosmic Consciousness

Flowering of the Cosmic Consciousness

SYMBOLISM

The graphic lotus symbol above the figure depicts the crown chakra and its accompanying Sanskrit character “Om” (pronounced A-u-m). The repetition of the Om is purported to be the frequency and sound of the universe (Uni – one and verse – song = one song). As the Om is chanted our song becomes more fully integrated with the universal frequency until all is immersed into one song (the cosmic consciousness).

The color violet is associated with the crown chakra and is thus reflected in various shades throughout the composition. The colors which appear darkest to our eyes also retain the highest frequencies energetically, thus it makes perfect sense that a deep, rich, violet would serve as the highest point of the chakra system while the brighter colors containing the lower vibrational frequencies would comprise the lower chakras.

The figure is seated upon an opening lotus flower, in a deep state of meditation. His hands are formed in the shape of a power mudra as he connects to the source of all power and potentiality. In order to further emphasize the opening or flowering of higher consciousness, I also placed a violet spark on his forehead in the location of the third eye symbolizing the accompanying expansion of consciousness. The swirling mass around the figure is symbolic of the universal energies of creation and their raw unformed potential for physical manifestation. “In the beginning…the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters.” Genesis 1:1

Look out for a discussion of the sacral chakra next month!

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Will: The Power of Integration

INSPIRATION

Believe it or not, I wasn’t planning this. My initial chakra focused image, “The Flowering of Truth” was intended to be a single image. When I completed the work in February, I had no intention of creating another work on the chakras – nor the impetus to create a series. But it would seem that Spirit had other plans.

A large percentage of my inspirational and creative processes are dependent upon intuition and channeling. Most of my inspirations are brought forth through life-experiences and/or insights intuited/channeled/gleaned from my meditation practice. In a very real sense, one could view my creative practice as a spiritual development journal. In hindsight, I see that the process of strengthening my 5th chakra was in preparation for my departure from my day job in order to pursue my vocation full-time. I needed to connect with the expression of my voice and speak forth my truth in authenticity. “Will: The Power of Integration” is about the need for me to marshal my energies and resources towards the achievement of my goals so that I will have the strength to persevere despite all obstacles. It wasn’t until this image’s completion that I realized that this was the start of a series.

The third chakra is found in the vicinity of the navel and solar plexus. Its primary element is fire – thus it is associated with the pancreas and adrenals. It’s color – yellow is the core of the preceding two chakras (red and orange respectively) as the core of any fire is bright yellow-white with the reds and oranges radiating from that burning center. The 3rd chakra is the integrator of the 2 preceding it (1 = earth/matter, 2 = water/creation). Hence the power of the 3rd chakra is based in integration. It’s mantra, “I can” is reflective of human “Will”. Not society’s traditional notion of “will to power, conquer, push through…” but a dynamic force that transforms and shapes through integration. From this perspective, “will” is the integration of our desire and focus for the purposes of transformation and manifestation. Thus transformation and manifestation are based upon one’s power to combine and integrate the various aspects of one’s being in order to direct them towards a purpose. This is the power of “Will”.

Will: The Power of Integration

Will: The Power of Integration. The 2nd creation in my chakra series.

SYMBOLISM

As discussed previously, the color yellow is associated with the 3rd chakra and the core of fire and sun. I chose not to seat the figure because I wanted her to embody the energy associated with this chakra. This woman is standing, floating up and away from the lotus beneath her. She rises unaided, of her volition as she integrates her focus and desire in order to initiate her own ascension. She is the source of her own ascension and transformation due to her own self-integration (we are in truth the truth we seek). Her outstretched arms are symbolic of both praise and the discovery of her own inner power.  It is as if her outstretched arms and slightly lifted head evoke ecstasy and draw in the swirling matter that surrounds her as it becomes an integral part of her being. Her hair is both charged with the light of the chakra’s activation and the power flowing within. 

The graphic lotus symbol above her depicts the third chakra and its accompanying Sanskrit character. The open lotus beneath her figure is also symbolic of the chakras in general. 

Look out for a discussion of the crown chakra next month!

 

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The Flowering of Truth

INSPIRATION

The impetus for this work has been part of an ongoing struggle. A struggle that has been uniquely mine yet paradoxically experienced by each of us at various points throughout life. From the earliest stages of human development, each of us learns about self through the experience of contrast between us and that which is other. A baby begins to comprehend the difference between self and mother through the contrasts created by the touch. sight, and sound of its mother versus that of its own. Later in life, we often learn to distinguish who we are through the experience of contrast between the ways others (friends, parents, classmates…) are like us or different from us.
 
This process of self-discovery continues throughout the life cycle because each of us is always changing. The person you were at 3 is still present within your DNA and consciousness but is definitely not the same person who is reading this post right now. This process of continual growth and deepening consciousness requires that we not only discover who we are in terms of likes and preferences but also necessitates that we come to know self with depth and profundity. In a sense, one could postulate that we don’t actually learn who we truly are, but rather that we find the courage and strength to discover, and then become who we truly are. That living a conscious life is a continual process of becoming or embodying the spiritual beings whom we truly are.
  
As our eternal being, our essence becomes more fully integrated and embodied within us it shines forth more brightly through us under the guise of personality. In order for this to occur, we must first find the willingness to look within, the strength to face what we find there, and finally the courage to be that person in the world regardless of what others may say or think about us because of it. This kind of courage requires that we commit ourselves to complete truth and authenticity in all of our interactions. That you find the courage and commitment to be and do YOU in every aspect of your life – no matter what the circumstances. No facades, no compromises to get along, no hiding how you really feel or think to fit in, no holding back your truth for another’s sake…etc. I’m talking about having the courage and determination to be who you are in every way you can, under any and all circumstances.
 
Each of us has the right and the responsibility, to be who we are and do what we want as long as we are honest and forthright in our intentions, and do not hurt or harm others in the process. This kind of freedom can only be achieved by operating from a level of truth and authenticity that most of us are not willing to live from.  In my opinion, this is the kind of commitment to truth and authenticity which lies at the core of 5th chakra symbolism.  
The 5th chakra’s core principle is truth. It is the first chakra to move us beyond the boundaries of our physicality and connect us to the higher realms of consciousness by acting as a conduit for the expression of vibration, sound, and speech. Thus it is associated with the throat, neck thyroid, shoulders, arms, and hands. When we deny the truth within ourselves, or continually speak or act in ways which lack integrity or truth this chakra can easily become clogged or choked thereby weakening its’ vibration. When fully opened, this chakra gives one the courage and commitment to express one’s self in truth and authenticity.  
This has been the focus of my struggle. To not only know, “Who I am” but to strive to authentically “be me” in all situations and circumstances. To stop worrying about, “how others view me or my art?” If speaking my truth will cost me friends or prestige? Will people not like me if I show them who I really am or what I’m about? To be true to self is the simplest yet most difficult of endeavors. This year I am determined to open and clear this chakra. To let the real me shine forth and open up like as a flower opens to the receive the rays of the morning sun! To open to my truth, and express that authenticity in all my interactions. This is the Flowering of Truth.

flowering-of-truth-72-5

SYMBOLISM

The symbolism within this work is focused on truth. The large lotus symbol floating above the figure is a reinterpretation of the 5th chakra symbol. The deep cerulean blue is one of the colors associated with the chakra. The symbol found within the inner flower is the Bija symbol (or seed sound) “Ham”. When repeated, this sound is the key used to activate the chakra and unlock its power. The symbol eye-like piece above symbol is my own additive that which is reminiscent of omniscient divine presence. The white outline used to outline the flower is symbolic of the full moon which is also part of the chakra’s symbolism. T

The flower upon which the figure sits is also a lotus. I purposely used the varying shades of blue for this composition since the primary colors associated with the chakra are cerulean blue and turquoise. This flowering lotus is opening because the figure seated upon it is chanting the seed sound “Ham” as a mantra as she meditates upon the qualities associated with the 5th chakra. 

Since the seated figure is meditating upon the 5th chakra and chanting its’ seed sound, I chose the lift her head and expose her neck – the primary body part associated with the 5th chakra. I intentionally placed the tale end of the seed symbol in the lotus above her head near the figure’s throat in order to further accentuate her neckline and the connection between sound/mantra, the symbol, and the chakra’s connection to the throat. 

My intention was to strike a balance between the areas that were more highly rendered (the opening lotus and the figure’s flesh) and the more graphic areas (the lotus above the figure and the figure’s clothing in order to create a visually energetic push-and-pull between the various portions of the composition. This tension helps to create a downward movement which draws the eye from the face down through the opening lotus. I chose to keep the background soft and muted so that it would not distract from the main focal point of the composition – the meditating figure.

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Moonlight Blues

Greetings Family,

I know its been 4 months since you heard from me, but you haven’t been forgotten. I’ve been pressing on, but there  hasn’t been much creating. My last post in July was part of my normal summer slowdown, but unforeseen circumstances burst onto the scene commanding a large portion of my time and attention. The darker sides of life and people often present themselves to us at unexpected times in unexpected ways.

So I was reminded that into each life, some rain must fall. All of life is a revolving series of endings and beginnings – the sun rises and sets, the seasons transform and change, joys bring us light and sorrows bring the blues. The people and things we love most are very often the sources of our brightest days and darkest nights. The winds of change blew a storm my way and I got the blues.

People say that time heals all wounds, but what we do between the hurt and the healing can make a world of difference.  It’s not just the time, but what we do during the time which determines whether we heal in a manner which is conducive to future growth, or just an exercise in repression which eventually leaves us with more psycho-spiritual baggage. These unseen scars cause more damage and heal much slower than our physical bodies, so we must be more intentional about our healing by doing so from the inside out just as our bodies do.

So I sunk into the blues. I prayed, I wept, I was angry, I felt as if everything in my life had suddenly just shriveled up. I wanted to work, to create, to wash these blues away by birthing something truly powerful from this darkness, but nothing came. I was numb, paralyzed, creatively mute. Sitting in my studio, staring at my sketchbook, living with the blues. There was no light and there was no muse. The only light to be found was reflected from the moon. Moonlight Blues

Every day, everyday I have the blues.

When you see me crying baby, you know it’s you I hate to lose

Seems like nobody loves me, and nobody seems to care

Speakin’ bout hard times and trouble, you know I’ve had my share. 

I’m gonna pack my bags and move on the down the line 

Ain’t nobody worrying and ain’t nobody crying 

Everyday I have the blues

B. B. King 

moonlight-blues-72-5

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Ascension II: The Buddha Nature Ascends

INSPIRATION

The term enlightenment is derived from the notion of light. The light of consciousness, the light of knowledge, the light of awareness that breaks through to us, and in us. Light comes to us in the midst of our ignorance, blindness, our will to power, and our pain. As we receive that light we slowly but surely ascend. We accelerate the process when we consciously and deliberately choose to consistently go within. These epiphanal glimpses of light inspired Ascension II.

As I reflect upon it now, the creation of Ascension II was almost inevitable. The thoughts and feelings which led to its creation are evidence of the natural process of expansion and deeper consciousness that accompanies the path to enlightenment. The Buddha is not necessarily a person. A more accurate characterization  would be to identify it as a state of being, or conscious awareness that can be reached by anyone. This truth ensures that there have been, and will be many Buddhas throughout the course of history. The Buddha is a nature which one acquires as one seeks to go ever deeper within. It is believed that some who have reached this state were able to literally shift their vibration to such a high rate that they disappeared into the realms of higher consciousness. 

Ascenion II72.5

SYMBOLISM

One of the first things you will notice about this piece is the horizontal format. I intentionally chose to use this format because I wanted to emphasize the point I made in my discussion of Ascension I regarding enlightenment as a process of expansion and not the upward movement we so often assign to it. Just as the first piece was long and vertical, this piece is wide and horizontal (36h x 48w) to reflect the notion of expansion as both upward and outward movement.

The four figures located in the corners of the image are seated in various meditation poses. They represent adepts who are following the teachings of the Buddha, and the Four Noble Truths of the Buddhist tradition (suffering, craving, there is an end to suffering, follow the path). Each figure is surrounded by an auric field which is not complete because they have not yet achieved enlightenment but are still walking the path.

The Buddha is encompassed within an eight-rung wheel which is reminiscent of the eight-fold path that is followed by all who seek to ascend in this tradition. The Path is characterized by the concepts of: right understanding, right thought, right speech, right action, right livelihood, right effort, mindfulness, and singularity of mind (enlightenment). It is the possession of these virtues which leads one toward ascension. The deep purple which comprises the wheel and the four figures is indicative spiritual strength-an essential for any transformation.

The Bodhi tree at the bottom center of the composition is a historical reminder that it was during meditation under a such a tree that Siddhartha achieved his enlightenment and thus ascended into the realms of Nirvana.

My use of the star-shaped figure around the wheel symbolizes both light, and the sudden flash of spiritual insight which can often accompany periods of deep meditation. One is often privy to sudden flashes of understanding which lead to even deeper levels of inner light and spaciousness.

In the center of the composition, we find the Buddha himself. He is sitting in a full lotus position with his eyes closed in deep meditation. He levitates above and within the spiritual energies which surround him.  I wasn’t really interested in representing the chakras in this image. My main concern was to depict spiritual light and create a sense of vibration and spiritual power. The lighter pastel colors which form the auric field, are not necessarily based upon the chakras.

All of the colors used in this piece were carefully chosen after numerous color roughs to determine which tones would work together seamlessly. It may seem random but the placement of the colors was carefully worked out so that they would all work together and compliment one another. Many pastel colors can be symbolic of higher energies without necessarily referring to the chakras. From a frequency perspective the many of the colors we associate with cooler temperatures (blue, green, violet) are actually of a higher wavelength frequency than  those we think of as warm (red, orange, yellow).The magenta cloud is juxtaposed to the deep blue clouds in an interplay of light and dark. The deep blue representing spiritual darkness or the unexamined state while the higher vibrations of magenta and the rays of green and yellow light break through the darkness.

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Ascension I: The Son of Man Ascends

INSPIRATION

Inspiration is a funny thing. It is often born from the most unlikely sources and flashes into consciousness at the worst possible moments. Yet these capricious insights are an integral  part of the creative process. To be inspired is to be “in Spirit” and that was exactly how the seeds of this image began to sprout.

Over the course of 3 weeks, I had been listening to several talks by various thinkers and intuitives on the topic enlightenment and the expansion of consciousness. The more I absorbed their perspectives and meditated upon the topic the more insights poured into my mind and spirit. Over those weeks, I felt a growing need to not only synthesize these insights but to share them with others.

As human beings, we often think of ascension as an upward, and often hierarchical  movement, but in reality, ascension is circular and holistic. Ascension is about expansion! The expansion and integration of one’s consciousness throughout all levels of self. Thus, one becomes fully self-actualized and self-aware physically, mentally, spiritually, and  energetically. From this perspective, one can only ascend outward and upward to the level or depth one has also gone downward and inward.

This can be evidenced not only in Jesus’ life and ministry but in the writings and biographies of all the spiritual masters. We see what can best be described as a kind of implosion. Each master first begins by going within in an effort to know the self’s inner world and locate that quiet, silent place of inner spaciousness. But in each instance, the master begins to discover that the journey within is simultaneously connecting her/him more deeply to all that is without and beyond. Paradoxically, each one discovered that the universal resides within the particular. Yet each reached a point upon the inward journey where there was no further they could go. The journey inward was then replaced by an opening, a flowering, or a rapid outward expansion which completely altered their way of being. This transformation occurs as a result of the inward exploration and is directly linked to the act that we refer to as ascension.

SYMBOLISM

I chose Jesus because he is the most easily recognizable figure within my particular context. Since Jesus’ ascension is directly linked to his death and resurrection, I felt it was extremely important to make reference to these events within the work so that one can see the continuity between them. I began researching Jesus and the ascension using various theological texts and the biblical narratives. The main features of the biblical narratives are Jesus ascending up into the heavens, the presence of heavenly beings, the elements, and the disciples who stand in witness.

Materials

The image is painted using acrylic paints on a large solid wood board. I actually found the piece of board lying outside near a trash pick-up site. I was walking down the street and noticed this large piece of wood supported by a couple of trash bins. The wood’s surface was distressed by scrapes, peeling layers, and various rippling textures. Normally I wouldn’t even have paid attention to something like this but the surface was so intriguing that I decided to take it to my studio.  It literally sat in my studio for a month and some days I would just sit in the studio and stare at it. I felt a connection to it in some way but I had no idea what to do with it? It wasn’t until I was halfway through my sketches for Ascension that I understood why I had been drawn to this block of wood.

The panel is 1.5 inches thick and weighs about 80lbs. Its surface is rough, pitted, and unfinished. This large piece of wood is reminiscent of the Jesus’ death on the cross. Its surface and texture are not only symbolic of a cross but it is earthy and grounding just as Jesus’ death truly was. It reminds me that life, death, and ascension are not heavenly conceptualizations to be spiritualized, but real-world, natural, embodied experiences that are played out within the earthly realm.

Ascension I: The Son of Man Ascends

Imagery

The two angels found on the upper right and left portions of the composition are representative of heavenly witnesses and guides. The angel on the left holds an ankh which symbolizes rebirth and new life. The angel on the right wields a spear which makes reference to Jesus’ death by human hands and the piercing of his side by the Roman centurion’s spear during his crucifixion.

The elements of cloud and sky have always held a prominent place in spiritual symbolism. The clouds symbolize both the divine presence and the biblical narratives’ description of Jesus ascending up into the clouds as he entered the heavenly realms. In the biblical tradition, the divine presence is often symbolized by clouds so I felt they were appropriate for this image. The golden-yellow sky is symbolic of light and spiritual illumination. The divine light pours forth bringing both physical and spiritual illumination to Jesus and the disciples who see and comprehend the events with supra-natural clarity. The symbol floating in the sky above Jesus’ head is the West African Adinkra symbol for transformation.

The silhouetted figures found in the bottom portion of the composition represent the disciples who not only witness the ascension but later receive a portion of Jesus anointing and divine power with the arrival of the Holy Spirit as it is described within the biblical book of Acts. These figures are in various positions of prayer and supplication as they worship their ascending master. Each figure is not only connected to the next, but each is connected to Jesus through the orange mandorla which surrounds Jesus who is ascending up above them. The deep blue depicts the figure’s silhouettes since they are surrounded by the dark clouds of divine presence. They are also encircled by red and orange halos (respectively). The former represents Jesus’ shed blood which covers the figures and provides both protection and connection with the divine presence. The orange halo is symbolic of the disciples sharing in the same spiritual power that Jesus himself possesses.

 Jesus is depicted within the very center of the composition floating upon a cloud as he ascends into the heavenly realms. The viewer’s eye is directed to this focal point by the use of an orange mandorla surrounding Jesus. The same orange also surrounds his actual figure as an aura. Orange is an expansive color that is often used to symbolize energy and power. Since ascension is expansion I thought the orange was an appropriate means of symbolizing this reality. In addition, the biblical narrative clearly connects Jesus’ ascension with the notion of power, both spiritually and physically (“All power in heaven and on earth has been given to me…”). This power pours forth from the figures’ eyes and body (if the eyes scare you stop watching so many horror films).  The symbol that accompanies this new state of ascended transformation is the reiki symbol for enlightenment emblazoned upon his forehead in red.  The red robe is reminiscent of Jesus’ death and the blood he shed upon the cross. His sacrifice will be the catalyst through which those who follow him will gain access to the heavenly realms. His hands are outspread in a gesture of welcome as his forefingers grasp his thumbs to form a mudra.

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Damon Powell – Artist & Theologian

Leap of Faith

LEAP OF FAITH

INSPIRATION

There are times in life when we are compelled to take a “Leap of Faith.” Times when we must step out into the unknown with no possible idea what the outcome may be. Times when it has become just too painful to stay where you are. You may not know where or how to move, but deep in your gut you instinctively know that something must change. Oftentimes, we begin to examine our lives and the ever fearful voice of the rational mind says, “No, don’t do that you had better play it safe.” In those moments of decision we can either: let fear win and once again settle for less than what Spirit had intended for us; or we can listen to that still small voice, and take the leap of faith.

Every moment of life is an opportunity to step back into safety, remain where we are out of anxiety and fear, or leap forward in faith. We will never know what we are truly capable of until we begin to release our doubts, disbeliefs, and fears in order to replace them with optimism, hope, and faith. Last month in Winds of Hope I quoted the famous biblical verse from Hebrews 11.1 “Now faith is the substance of things we yet hope for, and the evidence of the things we do not yet see.” I also defined hope as, “The belief that the things we desire are capable of becoming reality”. As such I posited that hope is an essential component of faith. If hope is the precious cargo that each of us holds deep within, faith the is the ship which will carry it safely through life’s storms.

Faith is a convictional stance that embodies hope within a framework of trust. It offers the heart assurance that the hope one bears can be realized despite life’s apparent contradictions.  Many would have us believe that faith lies in opposition to or contradicts reason, but in reality faith it transforms.  This transformation is brought forth by bringing the objective (rational mind) and the subjective (inner heart) together in balance and focus. A healthy faith creates balance and focus by helping us to validate the self as an agent in achieving our hopes while simultaneously acknowledging that there is a greater source of truth that is available to aid and guide us. This transformation allows us to focus our thoughts and actions upon that which we hope for despite any lack of physical evidence to support our decisions because we trust that doing so is the only way that anything actually will change. Thus we see that faith requires that we take a vital and dynamic stance toward life. A stance which requires will, commitment, persistence, and trust that a source of wisdom far greater than self is ready and willing to provide us with assistance if we are prepared to accept it.

This is one of the reasons why faith is always exercised in the present. Faith forces us to live and be present in the “now” because that is the only time it can be actively expressed. We choose to trust now, act now, plan now, commit now, persist now…and this choice to focus our thoughts and actions upon the thing which we hope for prepares us to eventually receive it. Just as an idea or inspiration is lost without execution, so too “faith without works is dead.” Being conscious and present is always about expansion. To shrink back or stay put is about contraction and fear. Ultimately, fear is not about the obstacle you face, it’s about the level of faith and trust you are willing to act upon in that particular moment. Being in the now requires expansion, and as we expand for the leap out into what appears to be unknown; god, the universe, source, spirit expands to meet us. Faith prepares us to face the unknown but without action we are unable to receive it.

John Calvin defined faith as, “A steady and certain knowledge of divine benevolence toward us that is revealed in our minds and confirmed in our hearts” by Spirit. I truly believe that there is something beyond us. A center around which all other facets of being revolve. And that center is benevolent, kind, just…and willing to work in and through me to the degree that I am willing and prepared to accept it. For me, “Leap of Faith” serves as a symbolic reminder to move forward, take the leap out into a loving universe that is waiting meet me at the point of expectation. “According to your faith it shall be done for you.”

LEAP OF FAITH

LEAP OF FAITH

SYMBOLISM

I knew that something more than a single figure painted upon the paper was needed to create any kind of relevant composition. But the leaping figure was so visually powerful that I didn’t want to overburden the rest of the composition with too many additional details. The problem was incorporating an image or symbol which resonated with my inspiration but did not compete with the central image for the viewer’s attention. I needed something that was consistent with my vision but subtle enough for me to maintain control of the leaping figure as the image’s primary focal point.

The Japanese symbol Mitsudomoe provided exactly what was needed. The Mitsudomoe is found throughout Japan in many of the country’s Shinto temples. The three comma-like shapes within the circle are called “tomoe” and are reminiscent of the same tomoe found in the Chinese Yin-Yang symbol. In Shintoism the mitsudomoe represents the three realms of existence: humanity, earth, and sky. These three exist in a tripartite relationship of mutuality and interdependence. This conception correlates with my previous discussion of faith if we see humanity as the subjective aspect of the faith equation because our individual hope is always personal and subjective. Sky symbolizes the divine as the objective aspect of the being and its’ eagerness to work with us in the process of bringing our unique vision into materiality. The earth corresponds to the realm of action where humanity and sky come together in the project of materialization. A mature active faith requires all three and recognizes their interdependence.

The three swirling tomoe imply movement and action while simultaneously embodying the three aspects of faith.  In “Leap of Faith”, the leaping figure represents a healthy humanity expanding itself in a forward leap. The figure is both purple and lavender. Purple is a color often associated with spirit or spiritual strength/power while  lavender is reminiscent of the colors found in the higher chakras. The pink and blues in the composition are symbolic of both sky or heavens (blue) and the higher chakras or spiritual realms (pink). The brown represents the earthly realm where the demonstration of faith will ultimately be manifested.

In this case, the leaping figure takes the action by leaping out into the unknown, but this is not possible without divine aid to guide, protect, and provide all that will be needed. Simultaneously, the results and context in which all of this activity takes place is the earthly realm. Both the leap and the evidence of divine support must both be played out within the context of earthly life. Thus, the three realms work in mutual interdependence. For me, this relationship is symbolized within the mitsudomoe.

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Damon Powell – Artist & Theologian

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Winds of Hope

Winds of Hope

INSPIRATION

Recent events in my life have led me to the contemplation of hope. It just so happens that life has been moving along at its own steady pace. Sometimes intense and other times slow, but thankfully there have been no major upsets or crashing waves. When things are like this I often find the breathing room needed to catch my breath and connect more deeply to my higher self. It is during the steady rhythm of life that I am more easily able to reflect upon life’s deeper layers and connect with Spirit from a much more grounded place.

These times of recollection and reflection usually start with gratitude. I find myself grateful for the periods of sunshine that burst forth from the heart in the seasons between the storms. When I am quiet, I can observe a kind of in-gathering within my mind and spirit as all the myriad pieces of my identity are gently de-fragmented and reconnected to one another. I review the progress I have made, see things moving forward, and am filled with gratitude. But even more than that – I am filled with hope.

I am able to see the bigger picture and all the small but progressive steps that let me know I am moving forward towards my goals. This acknowledgment fills me with hope. Hope that that I can succeed. Hope that I can achieve my goals. Hope that I have and can make the right choices, and hope for the future. Hope is foundational and inspirational. The bible reminds us that,  “faith is the substance of things we yet hope for, the evidence of things not seen.” Most of us focus upon faith in this passage but the statement clearly places an even weightier emphasis upon hope – as the foundation which makes faith even possible. Without hope, life has no meaning. Without hope, faith is not possible. Without hope, there is no vision for the future. From this perspective, hope could best be defined as an assurance that the things we desire are actually capable of becoming reality. Thus my stepping back to acknowledge my progress. express gratitude for my current place, and celebrate my accomplishments fills me with hope.

Hope is the wind which blows through my spirit filling me with renewed determination and inspiration. My sails are full so, I do a bit more dreaming and make a few more plans. Then I stretch my arms out wide, lift my head towards the heavens and bathe in the hope’s breeze. HOPE

THE CREATIVE PROCESS

I began this blog because people who view my works often inquire about the meaning within my imagery and the symbols I employ. Since a great deal of my work is about spiritual insight and visual metaphor, symbology plays in integral role in my creative process. Lately, visitors to my studio have also begun asking about my medium, techniques, and the ways in which I am able to integrate them into my overall creative process. So I took the time to snap a few photos of this work in various stages of my creative process.

Everything starts with an idea or inspiration. It may be something I see, a spark gleaned from something I’ve been reading, an image or feeling that is impressed upon me within my meditations…but  things keep coming so I just try to remain open. Once I have solid grasp upon the concept, I begin doing sketches and/or looking at various images that may help to translate my inspiration into concrete visual form. This particular image had a rather long germination which began last winter while I spent 2 months viewing a package of subliminal message videos I had purchased. The actual composition came together quickly after I began researching images.

I am an extremely visual person and an artist so I often save random images that speak to me. While watching one of the videos, the image of the young man standing in the field struck me so I saved it. A few months later I was on google images (I just do that sometimes) and the grassy knoll just kind of popped out at me so I saved it as well. A month or so after that, I was at work making myself a cup of tea. I pulled the last tea bag out of the box and I saw the image of a lotus flower on the inside so I ripped the box apart and took the image to my studio so that I could digitize into my image library.  Shortly after that, I was sitting in my studio sketching. I was feeling really good and reflecting upon how well about things had been going and I got this very full, glad, hopeful feeling. I began to try and sketch it – so I pulled up a few images from my image library to see if anything might create a few more sparks and these three spoke to me.

As you can see from my initial thumbnail sketches it didn’t take long for me to come up with a workable composition. There are days and weeks when it doesn’t  come this easily and I may spend weeks researching, or end up producing 20-30 thumbnail sketches until I can find an inspiring and workable composition. Once I have a good composition, I will often produce 2-3 larger ones (4 x 6) to work out some of the light and shade problems.  For this image, I didn’t feel the need to do so. I moved directly to creating some small color roughs. The circled Image with the double stars is the color combination I decided upon using. With an extremely complicated image, I will create 1 or 2 larger-scale color roughs (4 x 6 as well) to alert myself to any potential tonal problems that may arise before I get into the actual process of execution.

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The Work

For me, getting down to the actual work of creation is also an act of worship, and ritual. This aspect of my vocation involves the use of several rituals that I employ to move me toward concrete acts of creation. Creativity necessitates form. An idea or concept is no better than a daydream until you give it form through acts of concrete physical manifestation. Just as “faith without works is dead” inspiration that are not accompanied by acts of manifestation die shortly after conception.

Keeping the above in mind, I often let the work itself determine the medium from which it will be manifested. At some point during the sketching stage, the imagery begins to inform me about which medium would be the best vehicle for this particular expression. In this case I knew the colors needed to be bright and vibrant so scratchboard was not a consideration. Once the color roughs were completed, it became clear to me that watercolor would be a better medium since the white paper beneath would produce a much brighter, ephemeral, and luminous quality than I could achieve with acrylics.

I begin by engaging in prayer, and then slowly and mindfully laying out my materials so that they are easily accessible and functionally placed within and around my work area. I then choose my material (in this case watercolor paper), and outline the image upon the surface. I often us a projector for larger layouts rather than drawing everything out by freehand. In this case, I used a thinner sheet of paper than I normally prefer to work with (I prefer 300lb Arches watercolor paper), so I had to size the paper before I could begin any actual painting (many artists don’t lay out their imagery until after sizing, but I prefer to do it beforehand).

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Before I begin to do any creative work I spend at least 10-15 minutes in prayer and meditation just before I begin. I created a small altar in my studio that contains candles, incense, crystals, a bell, and other items of significant personal value. After completing my meditation, I spend about 2-3 minutes with my Ipod selecting what (if any) music will be playing for that particular creative session.  With Winds of Hope I began by painting the first layer of washes upon the largest areas of the image. Although it is not depicted here, each area of color has anywhere from 5-8 thin layers of color upon it. This technique allows for the vibrancy of the colors to reflect up through the paper as each successive layer builds upon the next.

As you can see from the images below, the vibrancy of the colors slowly builds intensity with the application of each successive layer. The more subtle details and shading are added in as each layer of color is applied. For me, this process is more like sculpting than painting. I often imagine myself pushing, pulling and molding the various surfaces and contours of the image rather than drawing or rendering them with the paint brush.

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Finishing Touches

As you can observe from these photos, I save the more precisely detailed portions of the image for last. In this instance, it was the waving grass and the figure’s skin tones. These final details were part of my work activities on days 5-6.  Sometimes, I will initiate changes to the image based upon insights or promptings that come to me during my preparation meditations. For this particular piece, there were no promptings over the course of the process, but once the work was completed several people pointed out that the figure resembled me. This was not a conscious decision on my part and I honestly hadn’t noticed (oftentimes, we do more than we can know or say).

The piece was unveiled in my studio for the First Fridays Art Murmur without the facial mustache and goatee, but after the 7th or 8th comment about the figure resembling me, the following day I removed it from the frame and added the mustache and goatee so that the figure would resemble me more closely.

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SYMBOLISM

There are only two actual symbols in this image: the lotus flower depicted behind the central figure, and the West African Adinkra symbol floating above them both. The work’s title, “Winds of Hope” embodies the notion of Hope being the wind which blows through mind, body and spirit, filling us with renewed determination, enthusiasm,  courage, and willingness to sacrifice for the creation of our dreams. Hope is the literal wind beneath our spiritual wings. The figure lifts his head toward the heavens and opens his arms wide to be caressed by the spiritual winds of Hope in a display of gratitude for blessings already received. The lotus behind the figure is also indicative of hope as it springs up from the muck and mire of muddy riverbeds to show forth its splendor. The Adinkra symbol floating above the main portion of the composition literally symbolizes Hope in West African symbology. I thought it very apt and appropriate that hope is connected to the heart’s symbol. For hope too is about the heart –  it’s dreams, passions, and desires. Purple is indicative of spiritual power and love, red passion, and yellow symbolizes wisdom, happiness, and divine benevolence.

Winds of Hope

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Damon Powell – Artist & Theologian

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Joy: It’s a Spiritual Thing!

INSPIRATION

It took me a long time to realize it, but joy is a spiritual thing! I spent a good portion of my early years in an ongoing search for happiness. There was a great deal of activity, but the brief moments of happiness I enjoyed were often intense and fleeting. Each and every time I felt as if I was on top of the world. I had reached the mountaintop and would do my best to stay there within the spirit of that moment, to remain present to that experience. But I was never able to carry those feelings back down into the valleys and plateaus of daily living (not for long anyway). So, off I would go seeking my next slice of happiness, my next wave of experience. As I look back on some of those moments, I am now able to connect with a tiny, persistent, nagging, element of despair that was ever-present but almost always unacknowledged. This despair was grounded within an innate knowing that these moments were not meant to last. It was this knowing which made them so much more precious and rare.

My growth along the spiritual path has helped me to understand the differences between joy and happiness. In my experience, the fundamental flaw in happiness is its primarily external orientation. This orientation renders it inherently capricious and subject to the ever-shifting tides of time, circumstance, and emotion. In our search for happiness, each of us becomes vulnerable to various kinds external and often random influences that we depend upon to produce whatever conditions we imagine will result in our happiness. The more favorably these influences and circumstances are able to fit within our particular set of criteria, the better we are able to enjoy deep and lasting happiness. Thus, we continually give away our power and reduce our capacity to exercise agency within our lives due to our continual pursuit of happiness. We must also note that for many of us happiness is also deeply connected to the ever-changing tides of our emotions. We can be happy one minute, see or hear something disturbing and then be unhappy or even dejected the next.

But joy is a spiritual thing. It  bubbles up from the spirit and bursts forth through the heart. Joy is an internal experience that moves from the inner to the outer world. Because it is spiritually based it is not subject to external influences or circumstances. Joy is a realization which can often burst forth within our own interiority. This spiritual quality is what makes joy superior to happiness in every possible way. Joy can be found within (and often in spite of) the most unpleasant and horrible circumstances because its internal origins are connected to higher levels of being. Quantum physics has revealed that everything in the universe resonates at its own frequency; on a scale of consciousness higher levels of consciousness begin around the resonation level of love (love is 500), while joy resonates even higher (joy = 540, peace= 600).  Reclaim your power by connecting with spirit and finding the joy within!

SYMBOLISM

This image was inspired by the experience of joy and the realization of its power within my life and spirit.I wanted the image and the figure to have a certain energetic, open fell but still be dense and bright. This is why I opted to portray a leaping figure within a circular composition. These two elements combine with the emanating rays of light to create a sense of energy and movement. The use of the lotus flower symbol is reminiscent of spiritual awakening, beauty, the rising sun, and eternity in various traditions. Just as the lotus blossoms upward from the murky waters of the muddy river bottom, we often find joy in the midst of the muck and mire of life as it seems to burst forth and lift us above it all. These ideas correspond to the rays of light which appear to both expand from and move toward the center of the composition.

One of the most interesting things about this piece is that its square format and circular composition allow it to displayed from any side. Turn it left, right, or  completely upside down and it is still just as intriguing. In the present view it appears as if the female figure is leaping for joy with all her might – It’s almost as if she could fly away. If you turn the image so that the figure’s hands and feet would appear to be pointing downward, you will notice that her positioning is very similar to the yoga asana “Upward Bow” (Urdhva Dhanurasana) which helps to open the heart chakra. Joy is a spiritual experience which is felt within, and bursts forth from the heart.

FEATURED

This image Live in the Light III, JOY was accepted into two (2)  juried art publications, “American Art Collector”  and “Bay Area Art Today.” Both publications are forthcoming in October 2015. American Art Collector is a yearly juried publication produced by Alcove Books and circulated nationwide for the past 12 years. Bay Area Art Today is a juried publication that is distributed throughout the 10 counties which comprise the Bay area. I am excited and honored to be one of the artists featured in these publications.

Live in the Light IV: Joy

Live in the Light III: Joy

To Purchase a Print click on the image above, or use the link below:

Damon Powell – Artist & Theologian

To purchase an original work please contact me directly at:

info@damonpowell.com