painting

Moga Yoga

All three of these images are the newest additions to my ongoing series on yoga, the “Asana Series”. Asana is Sanskrit for “pose” or “posture”. The model for these images was the yogini Maureen Mlller. Check her out on Instagram @mogayoga

Full Lotus – Padamasana
from the “Asana Series”

You may recall that I created a similar image of this pose in acrylic paints about four months ago. Although watercolor is a very different medium with its own character, I still wanted to create interest between the two depictions. In order to do so, I used a more dynamic point of perspective, a slightly different color palette, and simplified the background.   

Half Moon
Ardha Chandrasana

from the “Asana Series”

I find Half-Moon to be a very interesting and dynamic pose. I wanted to find a perspective point that would stress that dynamism while still giving one a good view of Maureen’s entire figure. The symbolic shape used in this image is a combination between a fractal pattern and a more biometric amoeba-like shape. 

Goddess Pose  
Utkata Konasana

from the “Asana Series” 

In this image, I wanted to give a sense of Maureen’s nobility and power. She truly embodies the energy and wisdom of the Goddes and I really wanted to imbue the image with similar quaities.  

OTHER NEWS
As some of you may have heard via social media, I am in the process of recovering from Covid-19. I am still not sure how I contracted the virus and don’t know of anyone else in my networks of association who has contracted it. 
As of this post, I am in my tenth week of recovery and am still not completely well. It has been a long and frightful journey. I was blessed to not be ill enough to need hospitalization, but there were times when I was convinced that I might die alone in my new home. Thanks be to God that I am alive and on the mend!! At present, I am undergoing testing to ascertain if there has been any permanent damage to my brain or other internal organs. Please keep my recovery in your prayers.

Please take this virus seriously and do all you can to keep yourself and your loved ones safe and healthy!

   

Asana Series: Heart Opening Poses

Full Wheel Pose
Chakrasana

from the “Asana Series”

All three of these images are the newest additions to my ongoing series on yoga, the “Asana Series”. Asana is Sanskrit for “pose” or “posture”. The model for these images was the yogi Quamay Sams. Check him out on Instagram @eye.three

The colors I chose for this series are based upon the asana’s connection to the heart chakra: All three of the poses are heart-opening poses that relate directly to the heart chakra (green).

Camel Pose – Ustrasana
from the “Asana Series” 

Quamay is extremely athletic and flexible. He makes these very difficult poses look almost effortless. I really wanted to capture that connection between strength, effort, and stillness. 

Standing Backbend – Anuvittasana
from the “Asana Series”

I really did a lot of sketching to try and figure out how I could make this pose fit within a composition. The shape created by the figure makes it difficult to place the figure in way which doesn’t create blockages in the overall pictorial flow. I used the energy and from Quamay’s pose to create a loop that brings the eye down to the ground and back around to the figure.

OTHER NEWS
As of March 15th, I have officially left Blank Page Studio. The parting is bittersweet but it was a necessary move. I have now moved into a new home that has enough room for me to maintain a studio space and my living quarters under the same roof. 

I am now officially moved in and ready to begin the next stage of my creative journey in this new location. I am not necessarily worried but do need to be careful that I maintain the same level of discipline that I have over the past 6 years maintaining a studio outside of my home.

These new images are indicative of a solid, strong new start. I am now past the halfway mark with the completion of 9 images out of 15. 

Garland Pose

Garland Pose – Malasana
from the “Asana Series” 

Garland pose is another addition to my ongoing series on yoga. The model for this image was the yogi Rondy of Rondyoga.com

The colors I chose for this image are based upon the asana’s connection to the lower chakras: the root chakra (red), the sacral chakra (orange), and the solar plexus chakra (yellow). Garland is a rooting pose which more deeply connects one to mother earth and her life-giving energies. 

The unalome to the right of the figure is a Buddhist symbol which symbolizes the journey to enlightenment as symbolized in the geometric shape at the top of the symbol.

For those of you who don’t know, I began the series in July of last year in conjunction with the yogini’s and yogi who teach at the Black to Yoga here in Oakland. 


Other News

My new website launches next month!
I will have a new website platform that will be launching in the first week of February. There will be a completely new look and a variety of enhanced features that will make it easier to navigate the site and to place orders.  

My new site will allow you to order paper and giclee prints, metal prints..choose your own frames, and have the whole order shipped and ready to hang!

*All of these features will necessitate a raise in my prices so if you want something at the lower price point place your order before February 1st!!

Upcoming Shows

Art of the African Diaspora Show
This show has a main location and several satellite Open Studios so you will be able to see my work at several venues 

Main Show: Richmond Art Center
2540 Barrett Ave, Richmond, CA 94804


Opening Saturday, January 25, 2020
-Awardees Discussion 12:30 – 2
-Opening Reception 2 – 5

Open Studios: Oakstop 17
1721 Broadway #201, Oakland, CA 94612

March 6 & 7, 2020
-First Friday, March 6th  5pm – 10pm
-Open Viewing Saturday, March 7th  11 – 5
-Artist Talks: Saturday, March 14, 2020  2 – 4*
*doors open at 11 and close at 5


Unbound Roots: SOMArts
This show runs March 9 – April 19, 2020


Be on the lookout for more Updates!

Forearm Stand

Forearm Stand: Pincha Mayurasana

This acrylic piece is the last of my works depicting the yogini Zen. I began the painting at a live painting session last month with the hosts of Black to Yoga. I had already completed the smaller watercolors depicted in my last newsletter and had them on display at the event. 

I was able to get all of the basic tones into the background and the figure during the live painting session. The work flowed and I felt a sense of ease with the energy of the day which always makes everything easier. As an artist, these are the moments we live for.

It took another week and a half before I could complete the entire painting, and another week to get it properly scanned and ready for presentation. 

The swirling shape to the right of the figure is called a unalome. Unalomes represent the spiritual path toward enlightenment in the Buddhist tradition. The spiraling shapes symbolize the inevitable twists and turns of life – while the straight lines remind us of the harmony one experiences during moments of enlightenment. 

**To purchase prints click here

The ‘Asana” Series: Zen Yoga Triple

Fear is a funny thing. It can manifest itself in so many ways that we often mistake it for something completely different. Oftentimes, it uses other emotions or activities as a veneer in order to mask its true identity. Anger, procrastination, OCD, controlling behaviors, rigidity, constant pleasure-seeking…have all been veneers for various fears I was holding onto but afraid to face. 

In this case, it was my seeming inability to sit down and begin the preparation work for these images. Initially, I had written it off as being too busy with other things. When that excuse was no longer working I then went into various machinations involving my using the time to gather more ideas and usher in a creative flow. One day I was sorting through some acrylic paints inventorying what I needed to replace and I accidentally picked up one of my watercolor vials and a rush of anxiety hit me like a ton of bricks. Beneath it was the palpable sensation of fear.  

The fear was a wake=up call and a reminder. It let me know exactly “why” I hadn’t been working the sketches for this series because I was afraid to get started because I was afraid to fail. I was afraid to dive in because I haven’t used watercolors in over a year and I wasn’t sure if I could get back into the medium and produce anything value. As any artist will tell you, watercolor is an extremely difficult medium and most painters try their best to stay away from it. Although watercolor has been my preferred medium since college, it does take time and failures to really master and I had been focusing on developing my acrylic skills while trying to complete my “Chakra” series.  

This sudden realization and the subsequent acknowledgment of my fear broke its power over me and allowed me to not only admit it, but more importantly to face-it and thereby release its energy from being. This was release was the catalyst for my steps to begin delving into the bread and butter of this new series. These 3 initial images are not as polished as some of my previous endeavors but they are powerful representatives of a return to watercolor. Stay tuned for my three in this series as you be privy to the transformations that will occur as the series progresses.

These three images feature the lovely and extremely athletic yogini Zen Forbes of “In with Zen” Yoga. 

Pincha Mayurasna – Forearm Stand

Salamba Shirshasana – Head Stand

Virabhadrasana II – Warrior II

**To purchase prints click here

ASANA IMAGE 2: Full Lotus

The second acrylic of my new “Asana” series has officially begun!

This is the second image in the acrylic images of the Asana series. It is a 30 x 30 – inch acrylic image that was begun live during my second attempt at live painting! The image was initiated at “Yoga After Dark” a monthly event conducted by Black to Yoga. I will be the resident “live painter” at these events so come check me out sometime soon. 

This image depicts Maureen from Moga Yoga as she prepares for deep meditation in the Lotus pose. Maureen is depicted in the more challenging “full lotus” position as opposed to the less challenging “half- lotus” asana. The seri yantra depicted behind her is a symbolic meditation symbol. The triangles in the center portion represent the power of the divine to manifest creation,. The graphic shapes just outside the triangles are graphic interpretations of lotus flowers which symbolize birth, life, renewal, hope…while the four points at each end of out square-like shape are indicative of the four elements.    

I have just begun the initial images for the watercolor portion of the series. Be on the lookout for a beautifully printed calendar you can purchase next year! 

Presenting my Research

I had the pleasure of presenting my research on aesthetics and discussing “The Beautiful” and its relation to creativity theory with the members of the PInole Artisans group last week. It was a real pleasure to present my research to a group of artists rather than a theological conference. I did some expounding upon a powerpoint deck and read an excerpt from my book, “When We Pray: 8 Meditations on the Aesthetics of Prayer & the Spiritual Life” (Balboa Press Books 2019). My presentation was well-received and I was invited back next year.



*To purchase the original, click on the image above.

**To purchase a giclee limited edition print click here



#fulllotus #yogaposes #blackyoga #yogaart

My new series has begun!

My new “Asana” series has officially begun!

The image depicted above is the first piece to be completed in my new Asana series. The last time I reached out, I spoke about my intention to begin collaborating with the Yoginis who have formed the entity Black to Yoga – Maureen Miller, Kirsten Rogers, and Zenovia Forbes. 

This initial reaching out led to the completion of three sessions of photos shoots. I shot loads of reference photos for the coming series and completed some sketches for layouts. The images are HOT, and I have been so inspired that I could hardly wait to begin painting! 

The inspiration for the series hit me about 10 years ago. I had only recently been introduced to yoga by a former partner and I was amazed at how much my limited knowledge and intermittent practice had already begun to have a profound effect on me. At my partner’s suggestion, I borrowed her copy of “Light on Yoga” by B.K.S. Iyengar and then began sketching images of various poses I found in some photographic journals on yoga. Some weeks later, in the midst of a sketch it suddenly struck me, “Why aren’t you producing your own images and interpretations of these poses?” and from that moment on,  the fire began to burn. 

As any creative will testify, inspiration is more often than not- a fickle, fleeting, elusive thing. Just like a cat, it rarely comes just because you call it. The lightning of inspiration does strike but you never really know where or when. Hence the reason most of us rush to strike while the iron is hot. But this fire has been burning for almost 10 years!

Every time I wanted to begin working on the images, circumstances always appeared to block my way. I often spoke about it to yoga students and instructors who entered my studio – and some even offered to model for me. But for some reason, the timing and the offers just didn’t feel right. Something in my spirit would not find ease with those opportunities. but I still kept feeling inspired to work on the series. 

However, there is something to be said for waiting.  The deep inner knowing within us always makes its desires known at the perfect time if we are willing to patiently wait, watch, and listen. I now understand the reason(s) for the delay. My heart was in the right place, my intentions were noble and sound, but I lacked the knowledge, sufficient development in my own yoga practice, and internal maturity needed to pursue this project in a manner that would do it justice. Some things can only be learned and developed through trial and experience and I was simply not yet ready. We often don’t know what we don’t yet know.  Thanks be to Spirit for growth, maturity, and waiting!   

This is the first image in the acrylic images of the Asana series (there will be a much larger watercolor series as well). It is a 30 x 30 – inch acrylic image that was begun live during my first attempt at live painting! The image was initiated at “Yoga After Dark” a monthly event conducted by Black to Yoga. I will be the resident “live painter” at these events for the next 3-4 months so come check me out sometime soon. 

The initiated live painting with model Kirsten Rogers

The completed live painting with model Kirsten Rogers

Coda: There is Only Love


FINAL CHAPTER EXCERPT   

The publishing process for my book is moving along much faster than anticipated. The editing phase is almost complete. The final phase, publication should be well underway by mid-January. Look out for opportunities to place your order very soon. Below are a few selected excerpts from the concluding chapter, Coda: There is Only Love.

When We Pray VIII: There is only Love

 

When I began to download the initial inspiration for “When We Pray,” I had no idea that a series would follow. The initial inspiration came forth just as many others have during my daily practice of prayer and meditation.  I was sitting quietly, peacefully, feeling the warm and then cool pattern of my breath when I became of aware of a very distinct sense of presence all around me. It was not a sudden awareness but a slow, steady, building which seemed to reveal itself progressively as it became increasingly more distinct all around me. I’m not sure how long the process took, but it was a slow and deliberate revelation that became increasingly more palpable. I felt no fear, only an evermore confident sense of comfort, ease, and genuine care and concern for the issues I was offering up for divine assistance. I somehow instinctively knew that my inner voice was heard, that spirit was listening and was also compassionately concerned. As I poured forth my concerns, there was a gentle but firm sense of being held, or of being wrapped by divine hands and arms. That I was being stroked and soothed as a mother would her slumbering child. At the same time, I felt as if I was also shielded and supported. Then it suddenly dawned upon me that I was in God’s hands and that this was the place I had occupied every time I prayed, but I had only now become aware of it. This realization of being in enveloped within the hands of the divine resulted in the initial image of the series…

…As we are lifted-up by love we also lift and are lifted by others. This active web of relations lies at the heart of love and forces us to confront humanity’s dominant conceptualization of love. We conceptualize love as a noun, but love is and ever shall be a verb. Because love, like creativity, requires manifestation. Love must be made visible, or it is not authentic love. All our conceptualizing and imaginings about love are simply much ado about nothing unless they become expressed in the form of concrete actions expressed in daily life. These expressions undergird our need to “make” love, “fall in” love, “give” love, “welcome” love and actively experience it in all the myriad ways it can be given and received…

…From a metaphysical perspective love never ends. But it is often born, dies, and is resurrected within the context of our material human experience. If we would simply take the time to look within, listen to our souls, and set free the love already within us, we would surprisingly find more of it everywhere we look. But we often travel through life crippled and completely lacking the very thing we crave so desperately. Love is free for the taking if we would just open ourselves to receive it. So, let love flow to you and through you. Love has no beginning or end because love is all there is.

MY NEW COURSE
I have now begun the initial preparations for the creation of an online course that will expand upon and supplement the material presented in When We Pray. The course should be completed and ready for enrollment by the 2nd week of January. 

MY NEW STUDIO SPACE
On January 4, 2019, I will become one of the resident artists at Blank Page Studio. Blank Page Studio is a non-profit corporation dedicated to providing low-cost studio space for visual artists and supporting the visual arts in Oakland public schools. It is an honor and a privilege to share in the work of an organization that supports the youth of Oakland.  Be on the lookout for your invitation to my Grand Opening celebration!

PAINT PARTIES ANYONE!
As of January 1st, I will be working with Wine and Design – Oakland as a painting party instructor. Wine and Design is located in downtown Oakland at Jack London Square.  If you want to try something different, celebrate an occasion, or raise funds for your favorite non-profit we are the ones to call. Don’t forget to request yours truly as your party artist.

FINE ART INSTRUCTOR
My contract as a Fine Art instructor for 6-8 graders who participate in the Higher Ground After School Program has been renewed. Higher Ground is a non-profit corporation dedicated to serving youth in the Oakland public school system. 

Gravity: The Manifestation of Form

INTERPRETATION

The Root Chakra is key to all physical manifestation. Not just the form and shape of our body but the form and shape of the life and life experiences we manifest while within our body. The root chakra brings about existence or the manifestation of being and form into existence. As the first chakra, it is singular, whole, and complete unto itself.  Just like the number one, it is the beginning of all beginnings. This emphasis upon manifestation is one of the reasons why the charkas move from the lower to the higher vibrations. Although the 5th (throat) chakra may inspire creativity and the 6th (skull) chakra opens us to receive the vision, creation always necessitates form. Without form, our inspirations and visions have no hope of being grounded in physical reality. These higher vibrations must slow down, congeal, and condense before they can enter the material realm. That process of grounding and manifestation is the domain of the root chakra.  

In my previous post on the 6th chakra, I spoke about the process of purification and envisioning I was lead to undergo at the beginning of the year. But once you have seen the vision, manifestation is always the next step in the process. Moses went up the mountain to meet with God and receive the vision, but if he hadn’t come back down the mountain to manifest that vision his entire trip would have ultimately meant nothing. The results of my sojourn led to the manifestation of “Gravity.” The shape and feel of our lives is always a result of the manifestation of our consciousness in form. For me, this meant going back to my own singularity. Going back to my own roots psycho-spiritually and re-examining the mental and spiritual thought forms manifested there in order to decide if the events, people, places, and things in my life were accurate manifestations of “who” and “how” I wanted to be in the world. I was not very happy with what I was seeing. 

The root chakra is not only singular and whole but is also about grounding and connection. This grounding and connection occurs as we manifest things into form, and from our ability to maintain the stability needed for further nourishment and growth. This ability to “anchor in” and find stability is the basis for the development of individual growth and personal power. Gravity is a force of attraction. It encourages in-gathering and the marshaling of one’s inner forces. It is from this stable core that we are then able to attract or draw forth the power needed for acts of concrete manifestation. This is why the energies of the root chakra ground us into the earth so that we may develop the stable roots needed to grow and exercise our power through acts of manifestation.

Spirit was reminding me of this and letting me know that it was time to re-ground myself through a re-examination of what I had manifested thus far. I needed to make some long overdue changes. It was time for me to take a deep look at my beliefs and values in order to ascertain if they were still reflective of who I wanted to be. It was now time to ground down, find myself, and make serious efforts to change, jettison, or adjust any values and ways of being that no longer served me, or reflected who I “am” and want to be. In my case, this meant addressing my own issues concerning guilt, shame, and self-worth. Everything in my life, and the life I live is firmly grounded in my ability to: affirm what I do have, to believe that I deserve more, and my willingness to allow myself to have more. As within, so without. And so it is!

Gravity The Manifestation of Form

Gravity: The Manifestation of Form

SYMBOLISM

The graphic symbol above the figure represents the four leaves of the root chakra and the Sanskrit character for that particular chakra. The red hues throughout the composition are all associated with the chakra’s red color. Red, the color of blood, fire, and life. You will notice that some areas of the background are much softer and more diffuse than others. This was an intentional decision to symbolize the idea of form coming into and out of various stages of development and manifestation as it slows, congeals, and hardens into the shapes and sizes of physical matter.

The figure is standing in a form of the yogic prayer pose which is also a variation of the popular mountain pose. This pose is a grounding pose which allows one to stand in firm stability as the feet and root chakra energies ground down into the earth. Her feet are grounded deeply within the heart of the lotus she stands upon, as the minor chakras in her feet and knees transmit sensation from the lotus up into her root chakra. Her head is bowed and her hands are positioned in prayer over her heart. Her concentration is both meditation, prayer, and in-gathering as she places her focus upon the work of manifestation.

To Purchase the Original or a Print email me: Info@damonpowell.com

*If you love my work and enjoy my writings, I encourage you to become a patron: DPArtandTheo

Insight: Knowing the Light Within

INSPIRATION

Working with the 6th chakra has helped me to intimately understand how everything unfolds perfectly within the divine’s right and proper time. It has helped me discover depths of perception and insight as they have come to me in a steady progression that reminds me of the lotus slowly unfolding to the light of day. For me, this progression was initiated with the new year as I underwent a week of prayer, journaling, fasting, and detoxification. My plan was to release the old, and use journaling and other rituals to clarify and visualize what I wanted to manifest for the future. This time of release and invocation provided me with a clarity of presence and a wide field of vision from which to gain a greater connection to my guides, higher self, and spirit. I was praying for the removal of that which no longer served me, and the insight needed to move with inspired direction.

It reminded me that seeing is a passive faculty. It is the eyes that perceive, but the mind that sees. When our eyes are open they only pick-up the emanations of light and energy that are reflected from the matter around us. These reflections are then turned upside down and reversed before being presented to the mind for perception and interpretation. Seeing is truly an inside job. The only true light we will ever know or comprehend is the light we find within – physically and metaphorically.  From this perspective, physical sight can also be considered an exercise in intuition since we never actually “see” the matter we encounter in the world around us – but simply intuit its presence and capacities based upon the reflected light and energy it emits. We must trust what light we perceive and intuitively adjust our actions and behavior based upon those emanations. We walk by faith, not by sight. The more light we allow and open our eyes to perceive, the greater our capacity to gain insight and interpret the world around us. Likewise, the more we are still, focused and passive, the better our capacity to perceive and interpret the light we have allowed within. This is why the 6th chakra is dedicated to sight, perception, and intuition.

My week of prayer and fasting help me to understand how much the mechanics of sight and insight are almost identical to one another physically and spiritually. Our chakras and minds do not perceive divine light – because its substance and vibration are entirely too high, but rather the myriad reflections of its movement that have slowed enough vibrationally for our minds to perceive them. These reflections are always there but we are able to perceive them more readily when we are still, passive, open, allowing, and focused upon receiving them. In my experience last month. This state allowed me to begin opening my self to greater levels of reception, which fostered stronger intuitive insights and a deepening of my faith after receiving them. Part of this process was magnified after my guides led me to sign up for a “28 Day Challenge” online course geared toward deepening one’s connection to spirit, higher self, and guides. This guidance was given one week after I had been guided to begin work on the 6th chakra as the next piece in the series, and 3 days after I had completed my research and begun the actual painting! Everything unfolds perfectly within the spirit’s right and proper time. 

Although sight and insight are passive, these passive faculties activate other aspects of our being which are much more active and projective. The more we deepen and open ourselves to receive, the greater our capacity for output through the use of imagination, visualization, and manifestation. The greater our capacity to receive, the greater our ability to project. This is why it so important that we know the light within. Creation and manifestation are birthed from imagination and visualization. The more light we allow within, the greater our capacity to manifest and create – both spiritually and physically. The 6th chakra is both active and passive as it functions to provide clarity, insight, and intuition, while simultaneously being actively present in the work of visualization and manifestation. 

As a point of clarification, I would also like to point out that the third eye is not synonymous with the 6th chakra. Many people convolute the third eye, 6th chakra, and pineal gland but they are not the same thing. Each is its own separate entity. Just as there are other chakras, the third eye is another form of chakra but it is not the 6th chakra. Any well-informed teacher will confirm this. The 6th chakra and third eye often support one another or work in tandem but they are still very separate. The 6th chakra is located deeper inside the brain at or just above eye-level, while the third eye is located in the front of the head between the eyes or eyebrows. If you spend some time meditating upon the 6th chakra and grow more attuned to it you will begin to notice the subtle differences in the energy of the two.  It also helps to spend some time bringing energy into the 6th chakra from the back of the head until you can become more familiar with the differences.

Although I have not been able to find any definitive statement on the exact function of the third eye, I would postulate that it is exactly what its name suggests – a spiritual third eye or chakra geared specifically toward the reception of spiritual light and energies. It functions as our physical eyes by picking up these energies and transmitting them to the 6th chakra so that they can be interpreted, provide wisdom…and then hopefully used by the 6th chakra for the purposes of imagination, visualization, and manifestation. 

Insight: Knowing the Light WithinInsight: Knowing the Light Within

SYMBOLISM

This chakra moves us a step further along the color wheel and higher in vibration. We move from the lighter, cerulean blue of the 5th chakra to the deep indigo of the 6th. The closest representation of that blue is found within the graphic symbol of the chakra depicted above the figures head. Because the indigo is so deep and rich, I was forced to integrate other shades of blue into the composition in order to maintain clarity between the deep purple of the 7th chakra and the deep blue of 6th. Sometimes, the eyes can confuse the two hues with black, and/or not clearly distinguish between them when they are so closely placed to one another. I hope to show the whole series together once it is completed and was concerned that patrons might not be able to easily differentiate between the two – so I took the liberty of using my artistic license in order to create a greater distinction between the hues. This is also why I chose to use a somewhat lighter blue for the background color. Even with the white covering parts of it, the deep indigo would have just been too overpowering.

As in the other four depictions, the figure sits upon a lotus flower, The subtle difference here is that this figure is not just in meditation but also in visualization. We have moved from the vibratory matter of the 5th chakra (she was chanting) to the higher vibration of light here in the 6th. Sight and insight are the material of visualization. Her thumbs are placed upon her heart as she somatically connects head and heart through the action of touch. Scientific studies have shown that placing one’s hands upon the heart, and or touching the heart while meditating strengthens the bond between them thus allowing for increased levels of intuition and greater amplitude from the heart itself. 

The graphic lotus symbol above her head contains the Sanskrit character for the chakra and the two petals associated with the 6th chakra. The white of the background is representative of the cosmic ethers waiting to be absorbed and directed.    

To add this painting to your collection:

Insight – Original

To invest in a high-quality print: 

Insight – Prints