love

There is only Love

 

WHEN WE PRAY: THERE IS ONLY LOVE

INSPIRATION

There are certain themes in life that continually repeat for each of us.  Lessons we must learn, ideas and concepts that require us to continually expand our understanding of them, seasons of lack and plenty…and these too are an integral part of our soul’s journey.

An ongoing theme for me is Love. In this case, I seem to have come full circle because I thought that the “When We Pray” series was complete last summer. I completed what I thought was the final image of the series (#VII) and began to move on, but the inspiration for this image burst forth in me and has already inspired me to begin another in the series. You may also remember that I was addressing the theme of Love inspired by Rumi in my creation of the “Resurrection of Love” triptych. But it appears that neither Prayer nor Love are through with me yet.

My efforts to strengthen my intuition and maintain a more consistent connection to my guides are steadily convincing me that we are forever and always surrounded by Love. It’s not that I didn’t already know or believe this, but my vision was clouded by my own biases and preconceptions. It is one thing to understand a thing conceptually, but truly knowing it in the depths of one’s spirit is something drastically different.

Most of us believe that God is love, that our souls have come here to give and receive love, that we are loved unconditionally; but very few of us have been able to truly experience the power and depths of divine love – let alone consistently dwell in that state of experience. At best we have epiphinal moments through which we are able to experience glimpses of glory. We know that familiar feeling you get with family or old friends when you feel completely safe, whole, known, accepted and loved. Those moments when all is right with the world and we silently wish that we could suspend time in such a way that would allow us to spend the rest of our lives suspended in that moment.

I am coming to know and rest assured that there is only love. That each of us is loved and cherished with a depth that we will never truly understand on this side of the veil. That our higher selves and guides pray with us, for us, and undergird each of us with an unfathomable love! Find the courage to trust it. Let go of fear and cling to love. What has been holding you back from love – both spiritually and romantically? Be quiet, become still, open your heart to Spirit and in the darkness of that silence, you will come to know that love is all in all.

There is Only Love72.5

SYMBOLISM

I made use of the repeating heart motif because it is easily recognizable within modern cultural iconography. This motif is repeated throughout the composition not only as a symbol of love but as a means of guiding the eye downward through the image. The heart motif with its downward edge helps push the eye downward from the heart of the angelic guide, down through the bottom of the heart shape surrounding the angel, then down through the hands framed in the heart shape, then we dive once more into the heart of the human figure which will also help guide our gaze into the power of love symbol located beneath the figure. A love that is always flowing downward to each of us through various levels of being.

The angelic being who floats in the large heart above the figure is also engaged with the human figure below it in meditation and prayer. This figure also holds and receives divine love with its heart. A love that is echoed in the heart of its human companion. This connection is symbolized in the identical hearts the two figures share. The two figures are communicating heart to heart through the medium of love. Earthly intuition is perceived in the gut, but spiritual intuition is perceived in the heart and transmitted through love. This being holds its hands in the form of a teaching mudra – as it imparts divine wisdom and blessings upon the human figure below.

The halo above this figure is a symbol of divine grace, majesty, and power; while the symbol directly below the figure is an Adinkra glyph indicating divine love.

Since this image is a companion to the When We Pray series it was imperative that the hand motif occupy a prominent role within the composition. As in the other pieces in the series, the hands symbolize the hands of the divine as an ever-present source of comfort, protection, support…etc. In this case, the hands have formed the shape of a heart to symbolize the presence of divine love which surrounds the praying figure within. The hands operate almost like a frame that we gaze into to find the small but significant human being within them. Not only are we surrounded by love, but it serves as the very framework through which all humanity must be viewed.

The figure within the divine hands is deep in prayer and meditation. His closed eyes and traditional meditative posture indicate his turn within- while the halo and biomorphic energy field surrounding him are indicative of the higher spiritual energies he is receiving as a result of his practice. His hands form the mudra associated with blessings and wisdom. His practice brings him both divine blessing and love, but also provides wisdom into the deeper spiritual insights that are only available to those who consistently go within. The symbol below the figure is a West African glyph indicating the power of love. A love which is filling his heart as symbolized by the heart shape within the chest of the figure.

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The Resurrection of Love: Birth, Death & Resurrection

INSPIRATION

As I sit here contemplating what I would like to share about this triptych, I am filled with a sense of wonder and irony. It was around this time last Spring that I was inspired to create these panels. I was compelled by my own personal desire to receive and express love more deeply in every aspect of my life. What better time to do so than the outset of Spring – when the earth itself is being reborn from winter’s death-like grip. A time of rejuvenation, rebirth, and resurrection. There is something about Spring which never fails to revitalize the spirit and fill the air with excitement and anticipation.

As I began to think and read about love, I was drawn to the words of Rumi, “I have no companion but love, no beginning, no end, no dawn. The soul calls from within me: ‘You, ignorant of the way of love, set me free’.” Love has no beginning or end because love is all there is. Love is free for the taking if we would just open ourselves to receive it. But we often travel through life as if we are completely void of the very thing we crave so desperately. If we would simply take the time to look within, listen to our souls, and set free the love already within us, we would surprisingly find more of it everywhere we look.

From a metaphysical perspective love never ends. But it is often born, dies, and is resurrected within the context of our material human experience. This realization was the impetus for my decision to depict the cycle of love in 3 stages: Birth, Death, and Resurrection. The symbolism here lies within the number 3 and the connection between the Christian Trinity, and Jesus’ own birth, death, and resurrection here upon the material plane. It also mimics the cycle of nature (Summer, Winter, Spring) and many of our relationships with others.

SYMBOLISM

Colors

The color palette was chosen based upon the following color symbolism: white = pure spiritual light which like the sun contains the entire spectrum of colors, purple = a karmic and auric color which is indicative of spiritual depth and power, pink = associated with spiritual enlightenment and the crown chakra, lavender/deep rose pink = is often associated with divine love, red = the root chakra which is associated erotic love and life-force, and deep purple = which is often associated with death or the absence of light within the cosmos.

Imagery

Given the metaphysical nature of the subject my initial inclination was to use abstract imagery, or to work with a more Jesus-like figure to represent love. However, as I continued to read and meditate upon the topic, I came to the realization that the characteristics most associated with love are more easily recognized within the feminine. Openness, expansion, mutuality, inclusion,  sacrifice, nurturing, care, acceptance…are all characteristics which led me to personify love within a female figure.  I often speak with God using female metaphors, so it was/is easy for me to translate this use into feminine imagery.

The aureole which surrounds each figure is symbolic of spiritual power surrounding and sustaining the physical form. Despite the figure being human it is filled with  supra-natural power that manifests itself in the aureole-like form.

Birth

Birth

“Love is the path and direction of our Prophet. We are born from Love; Love is our mother. O Mother, hidden behind the body’s veil, concealed by our own cynical nature.” Rumi

Although “Birth” is the 1st piece in the tryptic it was actually the second image I created. My process is often very intuitive and I work upon whatever image or concept I feel most drawn to in the moment. This image is primarily about incarnation as Love is birthed into physical form. The nebulous darkness represents the spiritual realms, the unseen from which Love fashions itself ex nihilo (out of nothing). The viewer is here to witness love’s creation and evolution into physical form. That which is eternal in power and principle, without flesh becomes incarnate to dwell with and among its creation as Love, in love. The remaining pictorial landscape is purposely nondescript and abstract in order to maintain the figure as the primary focal point within the visual narrative. The aureole manifests itself from the portion of the figure which has become flesh (right side) since it is not needed within the spiritual realm.

Death

Death

“Come and be Love’s willing slave, for Love’s slavery will save you. Forsake the slavery of this world and take up Love’s sweet service. The freedom of the world enslaves, but to slaves Love grants freedom. I crave release from this world like a bird from its egg; free me from this shell that clings. As from the grave, grant me the new life. O Love, O quail in the free fields of spring, wildly sing songs of joy.” Rumi

In this image Love is surrendering its’ self to the forces of nonbeing. She is not being killed or forced to surrender herself, but does so of her own volition. Thus Love’s death represents a sacrificial act of self-emptying and surrender of her own physical presence. She does not do so alone as she is surrounded by, and presided over by the four spiritual beings whom are depicted in silhouette in the darkness above the figure.  These faces watch and preside over this act of holy sacrifice as guides and witnesses. The aureole is now red in association with the exiting life force/spirit and the passion of sacrificial death. Notice Love’s Spirit (in red) rises up to join the other spirits as both physical being and eternal observer.

Resurrection

Resurrection

“The moment I first heard of love I gave up my soul, my heart, and my eyes. I wondered, could it be that the lover and the beloved are two? No, they have always been one. It is I who have been seeing double.” Rumi

Although last in the tryptic, “Resurrection” was the first panel I painted.  In this panel Love has been reborn within the physical realm. The solitary figure stands alone striding between the sensual and supra-sensual realms. Once again the aureole is now present in pink and white. Loves physical presence casts a shadow upon the shores as her feet leave traces in the sands. In this panel omniscient divine eyes both see and know self as eternal lover and mortal beloved.

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